Saturday, March 5, 2011

Tyler1
1. 2001: A Space Odyssey
2. Andrei Rublev
3. Seven Samurai
4. Apocalypse Now
5. Lawrence of Arabia
6. The 400 Blows
7. Ugetsu Monogatari
8. Ikiru
9. Stalker
10. Playtime
Glemaud
1. The Telephone Book (1971, Nelson Lyon)
2. Mulholland Dr. (2001, David Lynch)
3. Eden and After (1970, Alain Robbe-Grillet)
4. July Rain (1967, Marlen Khutsiyev)
5. Yi Yi (2000, Edward Yang)
6. The Rules of the Game (1939, Jean Renoir)
7. July Rhapsody (2002, Ann Hui)
8. Madame de… (1953, Max Ophuls)
9. Fanny and Alexander (1982, Ingmar Bergman)
10. Cria Cuervos (1976, Carlos Saura)
Un Niño
1.The Three Colors Trilogy
2. Close-Up
3. Amores Perros
4. Russian Ark
5. The Red Shoes
6. I Stand Alone
7. High and Low
8. The Decalogue
9. Talk To Her
10.Blow-Up
Kai White
1. Letter From An Unknown Woman – Max Ophüls, 1948
2. Une Histoire De Vent (A Tale Of The Wind) – Joris Ivens, 1988
3. The Godfather Part II – Francis Ford Coppola, 1974
4. In The Mood For Love – Wong Kar-Wai, 2000
5. Sunrise – F.W. Murnau, 1927
6. A Idade Da Terra (The Age of The Earth) – Glauber Rocha, 1980
7. Meghe Dhaka Tara (The Cloud-Capped Star) – Ritwik Ghatak, 1960
8. Brief Encounter – David Lean, 1945
9. Top Hat – Mark Sandrich, 1935
10. Letyat Zhuravli (The Cranes Are Flying) – Mikhail Kalatozov, 1957

WBA
1. La maman et la putain “The Mother and the Whore” (Jean Eustache / France / 1973)
2. Possession (Andrzej Zulawski / France, West Germany / 1981)
3. Ganga Bruta (Humberto Mauro / Brazil / 1933)
4. Goto, l’île d’amour “Goto, Island of Love” (Walerian Borowczyck / France / 1968)
5. Dzieje grzechu “Story of a Sin” (Walerian Borowczyk / Poland / 1975)
6. Kutya éji dala “The Dog’s Night Song” (Gábor Bódy / Hungary / 1983)
7. Wong gok ka moon “As Tears Go By” (Kar Wai Wong / Hong Kong / 1988)
8. Kuchizuke “Kisses” (Yasuzo Masumura / Japan / 1957)
9. Heaven’s Gate (Michael Cimino / USA / 1980)
10. Les enfants du paradis “Children of Paradise“ (France / Marcel Carné / 1945)

Cecil Will Kolohe
1. Chungking Express (1994, Wong Kar-wai)
2. The Red Shoes (1948, Mimeric Powellburger)
3. Last Year at Marienbad (1961, Alain Resnais)
4. Scenes from a Marriage (1973, Ingmar Bergman)
5. The Green Ray (1986, Eric Rohmer)
6. L’Atalante (1934, Jean Vigo)
7. The Mirror (1975, Andrei Tarkovsky)
8. Paris, Texas (1984, Wim Wenders)
9. Eureka (2000, Shinji Aoyama)
10. Pather Panchali (1955, Satyajit Ray)
Kenji
1.Sansho the Bailiff (Mizoguchi)
2.Mirror (Tarkovsky)
3.The Green Ray (Rohmer)
4.Alice in the Cities (Wenders)
5.Andrei Rublev (Tarkovsky)
6.North by Northwest (Hitchcock)
7.Abraham Valley (Oliveira)
8.Maborosi (Kore-eda)
9.Sunrise (Murnau)
10.Rules of the Game (Renoir)
Dennis Brian
01.The Charles Bukowski Tapes
02.The Curse of the Jade Scorpion
03.Once Before I Die
04.Pull My Daisy
05. Shampoo
06. Teacher’s Pet
07. I, a Man
08. Dumbo
09. Alexander Nevsky
10.Picnic
ScorpioRising
The Age of the Earth (Glauber Rocha)
Subarnarekha (Ritwik Ghatak)
A Brighter Summer Day (Edward Yang)
The House Is Black (Forough Farrokhzad)
The Lady Eve (Preston Sturges)
Sans Soleil (Chris Marker)
Ordet (Carl Theodor Dreyer)
The Little Girl Who Sold the Sun (Djibril Diop Mambety)
The Hole (Tsai Ming-Liang)
Scorpio Rising (Kenneth Anger)
Nathan M.
1. Black Narcissus
No film embodies all of the theological concerns that have occupied my mind for the past 15 years like Black Narcissus. Not only is it a thoughtful exploration of the spirit and the flesh, but Black Narcissus is lush (especially on BD), beautifully acted, and damn entertaining.
2. The Searchers
Picking my favorite John Ford movie is an impossible task. My Darling Clementine, How Green Was My Valley, and Wagon Master could all be valid choices for me, but The Searchers it is. It’s a compelling meditation on race, family, and loyalty, among other things. Like Black Narcissus, The Searchers is beautiful to look at and throughly entertaining, and that includes the wedding scenes and all of Ford’s corny humor.
3. E.T.
Though I didn’t grow up fatherless, I did grow up with some pretty mixed feelings about fathers, and like Elliot, I was a pretty lonely kid. E.T. isn’t perfect (I agree with Pauline Kale’s criticisms of the last 3rd of the film), but no film has captured friendship so well for me. It’s also pretty funny. It should be see as part of a double bill with Close Encounters of the Third Kind.
4. Forbidden Games
Rene Clement’s movie plays like a dream about death – Christian death. Like Black Narcissus, Forbidden Games does a wonderful job of exploring some of my most central theological concerns – Christian’s attitudes towards each other, the role of death in theology and practical living, and the innocence of a child’s response to all these things.
5. Meet Me in St. Louis
The Technicolor photography alone would almost justify inclusion for me, but Meet Me in St. Louis is so much more. The songs are lovely, the performances are sweet and funny, and though there are moments of sadness I can think of few films that are more happy. it is a love song to the past, and a great one.
6. Zodiac
Pull up a thread on Fincher or Zodiac, and you’re bound to find someone expressing why I love this movie. It took me a couple of viewings to really get into it, but it’s hooked me now. It’s the best police procedural that I can think of, it’s a fascinating look at the analog world, and it is (despite what some what some naysayers claim) a meditation on epistemology. It still amazes me that Fincher was able to pile on so much information with such lucidity.
7. The Passion of Joan of Arc
This is pure cinema. Again, it covers great theological ground that concerns me – true belief, the authority of the church, martyrdom. But more than anything, Dryer’s film is emotionally intense. Those close ups are unmatched in the history of cinema.
8. The Shop Around the Corner
Lubitsch’s film is sweet, funny, and ultimately sexy. It’s not only a great love story, but a hilarious look at how we perceive each other depending on our social context (Facebook, MUBI, real life). Most romantic comedies lack the sweetness that Lubitsch brings. The Shop Around the Corner marks the pinnacle of the genre for me.
9. Badlands
I’ve always found it difficult to explain what attracts me to this film, but my best guess is that it is both poetic and very strange. I always feel that I am watching a dream, which is probably appropriate since Kit and Holly seem to be living inside one at least half the time. It’s sort of terrifying, but thanks to Martin Sheen’s beautifully nuanced performance, it is also funny.
10. The Wild Child
There’s a simple elegance to this Truffaut movie. Appropriately, it has a modulated structure that suggest building blocks to me. It is the difference between men and animals; the ability to process abstract thought. It is a tender film that I think only Truffaut could have made. For the record, it needs a better DVD release.
Ten is a horrible number. A few of these movies are basically locked into position, but this list really could be different on any given day depending on my mood or what I’d seen more recently. I tried to be as honest as possible. It might have been nice to have more diverse choices from world cinema, but I think i would have been cheating myself. This list is definitely personal, and not meant as an objective judgement on what might be the truly greatest movies of all time.
Brett Kessler
1. The Double Life of Veronique (Kieslowski)
2. The 400 Blows (Truffaut)
3. Annie Hall (Allen)
4. 8 1/2 (Fellini)
5. Sherman’s March (McElwee)
6. Paris, Texas (Wenders)
7. Manhattan (Allen)
8. Naked (Leigh)
9. Trois Couleurs (Kieslowski)
10. Duck Soup (McCarey)
Josh 'Black Irish' S.
Gosford Park (Altman, 2001)
M (Lang, 1931)
My Darling Clementine (Ford, 1946)
The Dead (Huston, 1987)
Happy-Go-Lucky (Leigh, 2008)
Au hasard Balthazar (Bresson, 1966)
L’Histoire d’Adèle H. (Truffaut, 1975)
Hannah and Her Sisters (Allen, 1986)
Suspicion (Hitchcock, 1941)
Wild Grass (Resnais, 2009)
Admittedly, I threw this list together somewhat hastily as interest in the poll built-up steam and as a result, many of these I haven’t seen recently enough to comment significantly and are ordered roughly by preference at this time.
First of all, several of these reveal my weakness for ‘period’ films as I’ve always been interested in the past to one degree or another yet each differs in it’s handling of history or an era. In Gosford, Altman manages to create a tapestry of individuals and events that always emphasizes the collective nature of the setting. Simultaneously, it’s so faithful in capturing a specific time and place, there are moments that move towards the documentary [the servant’s work and habits ultimately are the center of the film,] and preserved as if in amber.
Clementine accepts the era of the Old West but never seems to be self-aware or driven to the obsessive detail of Gosford. It is myth, with Fonda carved in bas relief against the vast expanse of the Western sky. Isolation and mortality exist in every frame and the lack of hateful vengeance on the part of the Earp brothers is reflected in the unfocused pacing of the film, allowing us to reflect on a community. An abstractly-defined and haunting work.
The Dead is a true ‘final’ film in all senses of the term and which is at once one of Huston’s most uncharacteristic films yet a summation of his oeuvre. It may lack the extremes of emotion of his earlier films, but still carries the intimacy between individuals, the unease and doubt. Conroy isn’t Dobbs or Shannon. His previous films and their characters seem to beg the question or dwell on whether to preserve one’s isolated, corrupting interests or to give up one’s self to others. To settle with the former is to be condemned to self-destruction, the latter is finding the ability to move away from these influences. In Conroy, Huston manages to exorcise the demons that haunted his protagonists at last.
Adele H., of what I’ve seen, isn’t Truffaut’s best film but it fascinates me the most so far in it’s depiction of idealized love. Ironically, in reaffirming the truth in which the story is based at beginning and end it only seems to draw our attention away from it [V.H. is never directly seen and, as in Adele’s mind, only heard.] At the same time, it seems to be caught up at points with the lost art of letter writing and Adele seems to devote as much passion and energy into her letters and journal as she does in her pursuit of Albert. It’s awkward, uncomfortable, humorous and tragic. Just as one would expect from meeting such a person in real life.
It seems appropriate to move from Truffaut back to Hitchcock with Suspicion. Lina is a related character to Adele, but unlike her is totally aware of her obsessive devotion and her inability to move on. She is trapped not only by her emotions, but by social convention in her unwillingness to admit Johnny’s faults and possible fear of returning to a ‘spinsterish’ life. The film begins as a provincial romantic comedy. In the transition to her new home [and into the web, so to speak] turns darker. It begs us to ponder how well we can know anyone and how clouded our judgment can become of them.
Describing Wild Grass, perhaps more so than any other Resnais feature I’ve yet seen, is nearly impossible to do as this fever dream of a film moves away from just as it touches upon genres of romance, comedy, thriller and surrealism. Characteristically elusive in characterizations, motivations are hidden as the camera attempts to delve into them. Our surroundings seem to be interpreted depending on how we feel, seeing red, green or some thing in particular according to what we feel inside ourselves. Obession, desire, affirmation come to a point only to possibly start at the beginning all over again.
Lang’s films always have a need to document, reminding us of the clockwork nature of life, how supposedly isolated events come to affect and influence other people or areas. M is simultaneously an entrancing police procedural and serial killer movie, as well as depicting the epidemic that can be public outrage. Becker sets the film in motion, but is more a spectre than a being for most of the film and Lang delights in highlighting the panic of society from housewives to beer halls to policemen and even professional criminals. Like many of his films, M emphasizes how we all can become linked by specific incidents and the potentials, for better or worse, they may reveal in ourselves.
Balthazar and Happy-Go-Lucky are also uniquely linked. In both Bresson and Leigh’s films, the themes and interests are expressed through the central characters, Balthazar and Poppy, like light through a prism. The attitudes, character and so on of others is expressed in relation to and through contact with these beings. They reveal weaknesses without condemning them yet still affirm humanity at large. Bresson’s film offers a counterpoint to Balthazar in Gerard, equally as mysterious and as much an essence of evil as Balthazar may stand for good. Both play important roles to Marie, arguably the only other ‘central’ character, and seem to influence her continually throughout the film. Poppy is an unusual character for any film, as on the surface she seems endlessly pleasant, almost naively so. Careful examination of her during the course of the film, however, and the way she acts around particular people seems to vary slightly, revealing subtle changes in attitude and someone who is more able to be aware of what surrounds her and to cope with it than we may give credit for.
Perhaps it’s fitting that Thanksgiving forms the framework for Hannah and Her Sisters, with three being shown [the beginning, the end and one roughly in the middle.] Despite the fact this naturally covers a period of two years, there’s a constant autumnal mood to the film a feeling of change, withdrawal and renewal. People come apart when they want to come together and come together when they want to be apart. As though what we want to do and what our actions lead us to are two entirely different things. Maybe we can know about this, but it makes everything all the more confusing and troublesome in determining which direction to move in.
Kurt Walker
1) Jean Eustache — The Mother and The Whore(1973)
2) Michael Mann — Heat (1995)
3) Philippe Garrel — L’enfant secret (1979)
4) Jean-Luc Godard — Histoire(s) du cinéma (1988-1998)
5) John Cassavetes — The Killing of a Chinese Bookie (1976)
6) Nicholas Ray — In a Lonely Place (1950)
7) Rainer Werner Fassbinder — Berlin Alexanderplatz (1980)
8) Satyajit Ray — Apur Sansar (1959)
9) Steven Spielberg — A.I. (2001)
10) Abel Ferrara – The Addiction (1995)
Allan
1, Ran by Akira Kurosawa (1985)
2, The Sacrifice by Andrei Tarkovsky (1986)
3, Werckmeister Harmonies by Béla Tarr (2000)
4, The Cook, The Thief, His Wife and Her Lover by Peter Greenaway (1989)
5, Sanshō Dayũ by Kenji Mizoguchi (1954)
6, Ordet by Carl Theodor Dreyer (1955)
7, The Passion of Anna by Ingmar Bergman (1969)
8, The Battle of Algiers by Gillo Pontecorvo (1966)
9, Magnolia by Paul Thomas Anderson (1999)
10, Kwaidan by Masaki Kobayashi (1964)
Rocky and Beanwinkle
1. Spirit of the Beehive
2. Mon Oncle
3. Horse Feathers
4. Notorious
5. Stray Dog
6. Ikiru
7. Rabbit Seasoning
8. Shadows of Forgotten Ancestors
9. M. Hulot’s Holiday
10. Sirene (servais, 1968)
Patapon
1. In The Mood For Love (Wong Kar-wai)
2. Les Miserables (Raymond Bernard)
3. High & Low (Akira Kurosawa)
4. The Naked Island (Kaneto Shindo)
5. Memories of Murder (Bong Joon-ho)
6. Scenes From a Marriage (Ingmar Bergman)
7. Woman in the Dunes (Hiroshi Teshigahara)
8. Spirited Away (Hayao Miyazaki)
9. Paths of Glory (Stanley Kubrick)
10. The Innocents (Jack Clayton)
BigWig
1. The Phantom of Liberty (Luis Buñuel, 1974)
2. The Double Life of Véronique (Krzysztof Kieślowski. 1991)
3. Diabolique (Henri-Georges Clouzot, 1955)
4. La collectionneuse (Éric Rohmer, 1967)
5. Fata Morgana (Werner Herzog, 1971)
6. Kwaidan (Masaki Kobayashi, 1965)
7. Paths of Glory (Stanley Kubrick, 1957)
8. Picnic at Hanging Rock (Peter Weir, 1975)
9. Army of Shadows (Jean-Pierre Melville, 1969)
10. Russian Ark (Aleksandr Sokurov, 2002)
Pierre
Vertigo – Alfred Hitchcock, 1958, US
La jetée – Chris Marker, 1962, France
La Dolce Vita – Federico Fellini, 1960, Italy
La grande illusion – Jean Renior, 1937, France
The Conversation – Francis Coppola, 1974, US
ソナチネ, Sonatine – Takeshi Kitano, 1993, Japan
Aparajito – Satyajit Ray, 1956, India
Underworld – Josef von Sternberg, 1927, US
Sweet Smell of Success – Alexander Mackendrick, 1957, US
Secrets & Lies – Mike Leigh, 1996, United Kingdom, France
Jimmy Paradiso
the 400 blows (truffaut, 1959)
friday night (claire denis, 2002)
je vous salue sarajevo (godard, 1992)
kisses (yasuzo masumura, 1957)
la dolce vita (fellini, 1960)
les amants du pont-neuf (carax, 1991)
love streams (john cassavetes, 1984)
nuovo cinema paradiso (giuseppe tornatore, 1988)
sunrise: a song of two humans (murnau, 1927)
wings of desire (wim wenders, 1987)
Harry
Dekalog – The Decalogue (1988, Krzysztof Kieslowski, Poland)
Hiroshima mon Amour (Alan Resnais, 1959, France/Japan)
In the Mood for Love (Wong Kar-Wai, 2000, Hong Kong)
King Kong (Merian C. Cooper & Ernest B. Schoedsack, 1933, United States)
Man with a Movie Camera (Dziga Vertov, 1929, Soviet Union)
Once Upon a Time in the West (Sergio Leone, 1968, Italy)
Singing in the Rain (Stanley Donen & Gene Kelly, 1952, United States)
Sunrise (F.W. Murnau, 1927, United States)
The Third Man (Carol Reed, 1949, United Kingdom)
Vertigo (Alfred Hitchcock, 1958, United States)
BJD85
1. WALL-E (Stanton, 2008)
2. A Clockwork Orange (Kubrick, 1971)
3. Back to the Future (Zemeckis, 1985)
4. Grave of the Fireflies (Takahata, 1988)
5. Pulp Fiction (Tarantino, 1994)
6. The Deer Hunter (Cimino, 1978)
7. There Will Be Blood (Anderson, 2007)
8. Singin’ in the Rain (Donen/Kelly, 1952)
9. This is Spinal Tap (Reiner, 1984)
10. No Country for Old Men (Coen/Coen, 2007)
Kuxa Kanema
1.Face To Face, Ingmar Bergman, 1976
2.Eight and A Half, Federico Fellini, 1963
3.Le Mepris, Jean Luc Godard, 1963
4.O Homem do Pau-Brasil, Joaquim Pedro de Andrade, 1982
5.Violence At Noon, Nagisa Oshima, 1966
6.Veredas, Joao Cesar Monteiro, 1978
7.Mirror, Andrei Tarkovsky, 1975
8.Africa I Will Fleece You, Jean Marie Teno, 1993
9.Beware of The Holy Whore, Rainer Fassbinder, 1971
10.Shadows of Forgotten Ancestors, Sergei Paradjanov, 1964
Joseph
Playtime – Tati
A Day in the Country – Renoir
Early Summer – Ozu
The Thin Red Line – Malick
Pitfall – Teshighara
The Leopard – Visconti
Reconstruction – Pintilie
The Mirror – Tarkovsky
La Dolce Vita – Fellini
The Phantom of Liberty – Bunuel
Jack Lehtonen
1.Pierrot le fou-1965, Godard
2. Chungking Express-1994, Kar-Wai
3. Stop Making Sense-1984, Demme
4. Sunrise-1927, Murnau
5. Playtime-1967, Tati
6.The Rules of the Game-1939, Renoir
7. The Birds-1963, Hitchcock
8. The Searchers-1956, Ford
9. Ugetsu-1953, Mizoguchi
10. Barry Lyndon-1975, Kubrick
Uli³Cain
1- Apocalypse Now- Francis Ford Coppola-1979
From the moment I watched this in 1991 it has been my favorite film. Great cinematography, perfect editing, solid performances, then when I learned the back story of the filming, I saw what an effort it was to get the film made it it added that much more to it’s near perfection.
2- The Ice Storm- Ang Lee-1997
Such a subtle film where what is really being said is never really said at all. A beautiful adaptation of a good novel and beautiful performances are seen throughout the film. Mychael Danna’s score is almost a narrator.
3- Miller’s Crossing- The Coen Bros.- 1990
The Coens created a new way to speak. They smiled at the Gangster Genre, paid it respect, and added in their own special quirks. It’s a fun film with drama and noteworthy performances by John Turturro and Marcia Gay Hardin.
4- The Godfather (All Parts)- Francis Ford Coppola- 1972/74/90 (if it must be cut to one single film, then it would be Part I)
I don’t think the third installment sullied the series as much as I once did. Part III’s greatest sin was that it was not Part I or Part II. The first two in the series are the picture of perfection. I may have more favorite films, but The Godfather Part I is the greatest film ever made.
5- Mean Streets- Martin Scorsese-1973
Scorsese was still raw and that’s what makes Mean Streets so good. Then the fact he fulfilled the promise he showed in this film makes it that much more remarkable.
6- Se7en- David Fincher- 1995
Though people may love to hate on Fincher, Se7en is a major work of Crime Cinema. Darius Khondji’s cinematography is spot on. Morgan Freeman is perfect, and even Brad Pitt is good, because Fincher knew how to work with him and get the best from him.
7- Trois Couleurs: Bleu- Krzysztof Kieślowski- 1993
There isn’t much to say except Bleu is a beautiful film of accepting grief and being strong enough to move on. Juliette Binoche is amazing. Zbigniew Preisner’s score enhances the drama and was the final perfect piece in each of the Trois Couleurs films.
8- Raging Bull- Martin Scorsese- 1980
Raging Bull has well-earned it’s standing as a great film. It’s strong as it displays La Motta’s weakness. It’s strong in the boxing ring. It is strong in the violence and the pain and it makes no excuses for what it is.
9- Medium Cool- Haskell Wexler- 1969
Merging real life and film to perfection. This film should be seen more often that it is.
10- Europa Europa- Agnieszka Holland- 1990
I didn’t cry, but I came close.
Santropez
1. Three – Aleksandar Petrovic
2. The decalogue – Krzysztof Kieslowski
3. Visitor of a museum – Konstantin Lopushansky
4. The castle of purity – Arturo Ripstein
5. Que Viva México! – Sergei Eisenstein
6. Uprise – Sandro Aguilar
7. Stalker – Andrei Tarkovsky
8. Wojaczek – Lech Majewski
9. Barton Fink – Joel & Ethan Coen
10.Pierrot le fou – Jean-Luc Godard
walberto
1. Zerkalo/ The Mirror (Andrei Tarkovsky, Soviet Union, 1975)
2. The Pear Tree (Dariush Mehrjui, Iran, 1998)
3. El Sur (Víctor Erice, Spain, 1983)
4. The Rules of the Game (Jean Renoir, France, 1939)
5. Harvest: 3,000 Years (Haile Gerima, Ethiopia, 1976)
6. Out 1 (Jacques Rivette, France, 1971)
7. Rosaura a las Diez/ Rosaura At Ten O’clock (Mario Soffici, Argentina, 1958)
8. Anxiety/ Inquietude (Manoel De Oliveira, Portugal, 1998)
9. The Crowd (King Vidor, U.S.A., 1928)
10. A City of Sadness (Hou Hsiao Hsien, Taiwan, 1989)

Jirin
1. Bicycle Thieves
2. The Mirror
3. Idade de Terra
4. Vertigo
5. Sunrise
6. Persona
7. Werckmeister Harmonies
8. Cleo from 5 to 7
9. Taxi Driver
10. 8 1/2
________________________________________________________________
James Montenegro
1. Title: Roma, città aperta (Rome Open City). Director: Roberto Rossellini. Year: 1945. Country: Itlay.
2. Title: El Topo (The Mole). Director: Alejandro Jodorowsky. Year: 1970. Country: Mexico.
3. Title: The Gold Rush. Director: Charlie Chaplin. Year: 1925. Country: United States.
4. Title: Du rififi chez les hommes (Rififi). Director: Jules Dassin. Year: 1955. Country: France.
5. Title: Vargtimmen (Hour Of The Wolf). Director: Ingmar Bergman. Year: 1968. Country: Sweden.
6. Title: Killer Of Sheep. Director: Charles Burnett. Year: 1977. Country: United States.
7. Title: Die Büchse der Pandora (Pandora’s Box). Director: Georg Wilhelm Pabst. Year: 1929. Country: Germany.
8. Title: Muri shinjû: Nihon no natsu (Japanese Summer: Double Suicide). Director: Nagisa Oshima. Year: 1967. Country: Japan.
9. Title: Stroszek. Director: Werner Herzog. Year: 1977. Country: Germany.
10. Title: Chun gwong cha sit (Happy Together). Director: Wong Kar-wai. Year: 1997. Country: Hong Kong.
Rory Padgett
1. Andrei Rublev (Tarkovsky, 1966)
2. Mirror (Tarkovsky, 1975)
3. Days of Heaven (Malick, 1978)
4. Satantango (Tarr, 1994)
5. The Decalogue (Kieslowski, 1989)
6. The Battle of Algiers (Pontecorvo, 1966)
7. Phantoms of Nabua (Weerasethakul, 2009)
8. The Corridor (Bartas, 1994)
9. Sunrise: A Song of Two Humans (Murnau, 1927)
10. Hour of the Wolf (Bergman, 1968)
EMB
1-Belle de Jour- Bunuel-67
2-Blade Runner-R. Scott-82
3-Exorcist-Friedkin-73
4-Once Upon A Time in the West-Leone-68
5-Persona-Bergman-66
6-Medium Cool-Wexler-69
7-Raging Bull-Scorsese-80
8-All About Eve-Mankiewicz-50
9-Ran-Kurosawa-85
10-Conformist-Bertolucci-70
Drew McIntosh
1) Mulholland Drive (David Lynch, 2001)
2) Out 1: Noli me tangere (Jacques Rivette, 1971)
3) The Innocents (Jack Clayton, 1961)
4) Heat (Michael Mann, 1995)
5) Detour (Edgar G. Ulmer, 1945)
6) Water and Power (Pat O’Neill, 1989)
7) Passion (Jean-Luc Godard, 1982)
8) Under Capricorn (Alfred Hitchcock, 1949)
9) Ugetsu (Kenji Mizoguchi, 1953)
10) Dellamorte Dellamore (Michele Soavi, 1994)
apursansar
1. Sans soleil (Sunless, 1983, Chris Marker)
2. Зеркало (The Mirror, 1975, Andrei Tarkovsky)
3. Au hasard Balthazar (Balthazar, 1966, Robert Bresson)
4. Sanshō dayũ (Sansho the Bailiff, 1954, Kenji Mizoguchi)
5. Vale Abrãao (Abraham Valley, 1994, Mantel de Oliveira)
6. Subarnarekha (Swarnarekha River, 1964, Ritwik Ghatak)
7. Zenshin shōsetsuka (A Dedicated Life, 1994, Kazuo Hara)
8. Bao giờ cho đến tháng Mười (When the Tenth Month Comes, 1984, Đặng Nhật Minh)
9. Mirt Sost Shi Amit (Harvest: 3000 Years, 1976, Haile Gerima)
10. Akaler Sandhane (In Search of Famine, 1980, Mrinal Sen)
Balder Strååt
Whisper of the Heart
Pastoral: To Die in the country
The Man Who Sleeps
The Seventh Continent
With the Girl of Black Soil
Peppermint Candy
The Eve of Ivan Kupalo
Mind Game
House
Son of the White Mare
ELISA, VIDA MÍA (ELISA, MY LIFE) – Carlos Saura – SPAIN – 1977
BANSHUN (LATE SPRING) –  Yasujiro Ozu – JAPAN – 1949
LA CIÉNAGA (THE SWAMP) – Lucrecia Martel – ARGENTINA – 2001
SKAZKA SKAZOK (TALE OF TALES) – Yuriy Norshteyn – RUSSIA – 1979
LIQUID SKY – Slava Tsukerman – USA – 1982
STALKER - Andrei Tarkovsky – RUSSIA – 1979
KHANE-YE DOUST KODJAST? (WHERE IS THE FRIEND’S HOME?) – Abbas Kiarostami – IRAN – 1987
SANS SOLEIL (SUNLESS) – Chris Marker – FRANCE – 1983
L’INTRUS (THE INTRUDER) – Claire Denis – FRANCE – 2004
L’ANNÉE DERNIÈRE À MARIENBAD (LAST YEAR AT MARIENBAD) – Alain Resnais – FRANCE – 1961
flip trotsky
1. Werckmeister Harmonies (Werckmeister harmóniák)- Bela Tarr – 2000
2. NIght of the Shooting Stars (La notte di San Lorenzo) – Taviani Brothers – 1982
3. Mother Joan of the Angels (Matka Joanna od aniolów) – Jerzy Kawalerowicz – 1961
4. Spirit of the Beehive (El espíritu de la colmena) – Victor Erice – 1973
5. Shadows of Forgotten Ancestors (Tini zabutykh predkiv) – Sergei Paradjanov – 1964
6. Valley of the Bees (Údolí vcel) – Frantisek Vlacil – 1968
7. Shame (Skammen) – Ingmar Bergman – 1968
8. Rosetta – Dardenne Brothers – 1999
9. Ugetsu Monogatari – Kenji Mizoguchi – 1953
10. The Miracle of Morgan’s Creek – Preston Sturges – 1944
Jake La Motta
Stalker/Сталкер(1979,Soviet Union-West Germany,Andrei Tarkovsky)
In the Mood for Love/Fa yeung nin wa(2000,France-Hong Kong,Wong Kar-Wai)
Goodfellas(1990,USA,Martin Scorsese)
L’Eclisse/Eclipse(1962,Italy-France,Michelangelo Antonioni)
Persona(1966,Sweden,Ingmar Bergman)
C’era una volta il West/Once Upon a Time in the West(1968,Italy-USA,Sergio Leone)
Harakiri/Seppuku(1962,Japan,Masaki Kobayashi)
El espíritu de la colmena/The Spirit of the Beehive(1973,Spain,Victor Erice)
2001:A Space Odyssey(1968,UK-USA,Stanley Kubrick)
Vertigo(1958,USA,Alfred Hitchcock)
daffy
1. Onna ga kaidan wo agaru toki (When a Woman Ascends the Stairs) by Naruse Mikio, 1960, Japan
2. Ikiru (To Live) by Akira Kurosawa, 1952, Japan
3. Sennen joyû (Millenium Actress) by Satoshi Kon, 2001, Japan
4. Vivre Sa Vie: Film en douze tableau (My Life to Live) by Jean Luc Godard, 1962, France
5. Saikaku ichidai onna (The Life of Oharu) by Mizoguchi Kenji, 1952, Japan
6. Perfect Blue by Satoshi Kon, 1998, Japan
7. Aruitemo Aruitemo (Still Walking) by Koreeda Hirokazu, 2008, Japan
8. Back to the Future by Robert Zemeckis, 1985, USA
9. Sibaji (Surrogate Mother) by Im Kwon Taek, 1987, South Korea
10. Saenghwalui balgyeon (On the Occasion of Remembering the Turning Gate) by Hong Sang Soo, 2002, South Korea
When a Woman Ascends the Stairs
Loved films about how women fought against all odds to survive! I also liked the voice over narration that documented the life in Japan during the early sixties and how well Takamine Hideko conducted herself despite the circumstances!
Ikiru
Was really impressed by the old man’s determination to make a difference in his work!
Millenium Actress
Loved the tribute to the history of Japanese cinema and the protagonist’s strive for excellence in her work!
My Life to Live
Chose this for very similar reasons as “When a Woman Ascends the Stairs”. Godard provided the voice over narration for Karina in this case and they made a great couple!
The Life of Oharu
Loved the social criticism and the great acting by Tanaka Kinuyo!
Perfect Blue
My first Japanese anime that I watched on the big screen and I was blown away by it! Great psychological thriller!
Still Walking
Loved this understated family drama!
Back to the Future
Loved the technical jargons spouted by Christopher Lloyd that made him sound very smart! Nice blend of science fiction, adventure and comedy!
Surrogate Mother
Saw this at a cinema in Singapore that was notorious for screening adult themed movies. The movie posters emphasized the erotic aspects of the film but I also liked the social criticism and the depiction of a rich Korean culture!
Turning Gate
Loved the episodic structure and the director’s deep understanding of the relationship between men and women! The mini-story about the turning gate was interesting too!
Z. Bart
1. Le Feu Follet [The Fire Within], L. Malle, 1963, France
2. Cet Obscur Objet du Desir [That Obscure Object of Desire], L. Bunuel, 1977, France/Spain
3. Cria cuervos, C. Saura, 1976, Spain
4. Dillinger e Morto [Dillinger is Dead], M. Ferreri, 1969, Italy
5. A Nos Amours, M. Pialat, 1983, France
6. La Collectionneuse, E. Rohmer, 1967, France
7. Nihon Shunka-Ko [Sing a Song of Sex], N. Oshima, 1967, Japan
8. La Notte, M. Antonioni, 1961, Italy/France
9. Pierrot le Fou, J.-L. Godard, 1965, France/Italy
10. Symbiopsychotaxiplasm, W. Greaves, 1968, US
Liam Easson-Brausch
1. Pierrot le Fou (Jean-Luc Godard, 1965, France)
2. Paris, Texas (Wim Wenders, 1984, Germany)
3. La Dolce Vita (Federico Fellini, 1960, Italy)
4. In the Mood for Love (Wong Kar-Wai, 2000, Hong Kong)
5. Late Spring (Yasujiro Ozu, 1949, Japan)
6. Ma Nuit Chez Maud (Eric Rohmer, 1969, France)
7. Letter from an Unknown Woman (Max Ophuls, 1948, France/USA)
8. The Third Man (Carol Reed, 1949, United Kingdom)
9. Satantango (Bela Tarr, 1994, Hungary)
10. Double Indemnity (Billy Wilder, 1944, USA)
arsaib
Floating Clouds / Ukigumo
Naruse Mikio / 1955 / Japan
Taste of Cherry / Ta’m e guilass
Abbas Kiarostami / 1997 / Iran-France
Edvard Munch
Peter Watkins / 1974 / Norway-Sweden
The Grapes of Wrath
John Ford / 1940 / United States
Arising from the Surface / Satah se Uthata Aadmi
Mani Kaul / 1980 / India
I Can’t Sleep / J’ai pas sommeil
Claire Denis / 1994 / France-Switzerland
Black God, White Devil / Deus e o Diabo na Terra do Sol
Glauber Rocha / 1964 / Brazil
The Cremator / Spalovač mrtvol
Juraj Herz / 1969 / Czechoslovakia
Through a Glass Darkly / Såsom i en spegel
Ingmar Bergman / 1961 / Sweden
Pickpocket
Robert Bresson / 1959 / France
Mike Clayton
1. Closely Watched Trains (Ostre sledované vlaky) – Jirí Menzel – 1966 – Czechoslovakia
2. Marketa Lazarová – František Vláčil – 1967 – Czechoslovakia
3. Sátántangó – Béla Tarr – 1994 – Hungary
4. Wild Strawberries (Smultronstället) – Ingmar Bergman – 1957 – Sweden
5. Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles – Chantal Akerman – 1975 – Belgium
6. Landscape in the Mist (Topio stin omichli) – Theodoros Angelopoulos – 1988 – Greece
7. The Shining – Stanley Kubrick – 1980 – USA
8. Color of Pomegranates (Sayat Nova) – Sergei Parajanov – 1968 – Soviet Union
9. The Sacrifice (Offret) – Andrei Tarkovsky – 1986 – Sweden
10. Pather Panchali – Satyajit Ray – 1955 – India
NickJB
1. 8 1/2- Federico Fellini 1963
2. Ugetsu-Kenji Mizoguchi 1953
3.L’Eclisse-Michelangelo Antonioni-1962
4. Muriel-Alain Resnais 1963
5. Berlin Alexanderplatz-RW Fassbinder-1980
6. Celine and Julie Go Boating Jacques Rivette-1974
7. Knife in the Water-Roman Polanski-1962
8.Persona-Ingmar Bergman -1966
9.Late Spring-Yasujiro Ozu -1949
10.Vampyr-Carl Th. Dreyer-1932
Zachary W.
01. Days of Heaven
02. 28 Up
03. The Red Shoes
04. Fitzcarraldo
05. The Last Temptation of Christ
06. Yellow Submarine
07. Killer of Sheep
08. Floating Weeds
09. Alphaville
10. The Battle of Algiers
herbie s
Who Are You, Polly Magoo? (William Klein)
Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman)
Daisies (Vera Chytilova)
Audition (Frans Zwartjes)
A Charlie Brown Christmas (Bill Melendez)
Passe Ton Bac D’Abord (Maurice Pialat)
Zero For Conduct (Jean Vigo)
A Zed and Two Noughts (Peter Greenaway)
Ghost World (Terry Zwigoff)
Week End (Jean-Luc Godard)
Eloi MV
Le Samourai (Melville)
Stalker (Tarkovsky)
Le Decalogue (Kieslowski)
Barton Fink (Coen)
The Milky Way (Bunuel)
Pierrot le Fou (Godard)
Stranger than Paradise (Jarmusch)
The Holy Mountain (Jodorowsky)
Madame De…. (Max Ophuls)
Love and Death (Allen)
Malcolm P
La Passion De Jeanne D’Arc (Carl Dreyer, 1928)
Early Summer (Yasujiro Ozu, 1951)
L’Eclisse (Michelangelo Antonioni, 1962)
Muriel, ou Le Temps d’un Retour (Alain Resnais, 1963)
The Gospel According to Matthew (Pier Paolo Pasolini, 1964)
Persona (Ingmar Bergman, 1966)
Salo (Pier Paolo Pasolini, 1975)
Berlin Alexanderplatz (Rainer Werner Fassbinder, 1980)
Francisca (Manoel De Oliveira, 1981)
Helas Pour Moi (Jean-Luc Godard, 1993)
For me these are all benchmark films, not only grand in ambition and breathtaking in execution, but with a definitive encapsulation of something central to the human condition.
Brad S.
1)Nashville (1975, Robert Altman – US)
2)Taxi Driver (1976 – Martin Scorsese – US)
3)2001: A Space Odyssey (1968 – Stanley Kubrick- UK)
4)Citizen Kane (1941- Orseon Welles – US)
5)Psycho (1960 – Alfred Hitchcock – US)
6)The Empire Strikes Back (1980 – Irvin Kershner – US)
7)Pulp Fiction (1994 – Quentin Tarantino – US)
8)Raiders of the Lost Ark (1981- Steven Spielberg – US)
9)Apocalypse Now! (1979 – Frances Ford Coppola – US)
10)Star Wars (1977 – George Lucas – US)
Filmy
1. Weekend (Jean-Luc Godard, 1967)
2. Sans Soleil (Chris Marker, 1983)
3. Alice in the Cities (Wim Wenders, 1974)
4. Pierrot Le Fou (Jean-Luc Godard, 1965)
5. The Mother and the Whore (Jean Eustache, 1973)
6. The Mirror (Andrei Tarkovsky, 1975)
7. Chungking Express (Wong Kar-Wai, 1994)
8. L’Eclisse (Michelangelo Antonioni, 1962)
9. Seven Samurai (Akira Kurosawa, 1954)
10. Scenes from a Marriage (Ingmar Bergman, 1973)
Jason_ug8
1. Days of Heaven (Malick, 1978)
2. 2001: A Space Odyssey (Kubrick, 1968)
3. Apocalypse Now (Coppola, 1979)
4. Chinatown (Polanski, 1974)
5. Persona (Bergman, 1966)
6. Wild at Heart (Lynch, 1990)
7. Sweet Movie (Makavejev, 1974)
8. Drugstore Cowboy (Van Sant, 1989)
9. Spirit of the Beehive (Erice, 1973)
10. Walkabout (Roeg, 1971)
Edwin N
Mirror (1975) ─ Andrei Tarkovsky
Les Hautes Solitudes (1974) ─ Philippe Garrel
Eros Plus Massacre (1969) ─ Yoshishige ‘Kiju’ Yoshida
The River (1997) ─ Tsai Ming-Liang
Throw Away Your Books, Rallye in the Streets (1971) ─ Shuji Terayama
The Illiac Passion (1967) ─ Gregory J. Markopoulos
The Red and the White (1968) ─ Micklos Jancso
Os Canibais (1988) ─ Manoel de Oliveira
The Chelsea Girls (1966) ─ Andy Warhol and Paul Morrissey
Evolution of a Filipino Family (2004) ─ Lav Diaz
Tonda
1. The Graduate – Mike Nichols 1967
2. Mulholland Dr. – David Lynch 2001
3. Blood Simple – Joel Coen 1984
4. Naked – Mike Leigh 1993
5. Fanny Och Alexander – Ingrid Bergman 1982
6. My Neighbor Totoro – Hayao Mayazaki 1988
7. 2001: A Space Odyssey – Stanley Kubrik 1968
8. Punch-Drunk Love – Paul Thomas Anderson 2002
9. Safe – Todd Haynes 1995
10. In the Mood for Love – WKW 2000
Mike
1. Apocalypse Now (Coppola, 1979, US)
2. Cache (Haneke, 2005, France)
3. Seven Samurai (Kurosawa, 1954, Japan)
4. Barry Lyndon (Kubrick, 1975, UK)
5. The Man Who Shot Liberty Valance (Ford, 1962, US)
6. Blue Velvet (Lynch, 1986, US)
7. Eternity and a Day (Angelopoulos, 1998, Greece)
8. In the Mood for Love (Wong Kar-Wai, 2000, Hong Kong)
9. Brazil (Gilliam, 1985, UK)
10. Paris, Texas (Wenders, 1984, Germany)
Eleni Ashton
Annie Hall (Woody Allen, 1977)
A Woman Under The Influence (John Cassavetes, 1974)
Paris, Texas (Wim Wenders, 1984)
The Umbrellas Of Cherbourg (Jacques Demy, 1964)
Together (Lukas Moodysson, 2000)
McCabe & Mrs Miller (Robert Altman, 1971)
Scenes From A Marriage (Ingmar Bergman, 1973)
Three Colors Trilogy (Krzysztof Kieslowski,1993-1994)
Rushmore (Wes Anderson, 1998)
A Place In The Sun (George Stevens, 1951)
Roscoe
1. THE GENERAL — Keaton/Bruckman
2. THE GODFATHER I and II — Coppola
3. FANNY AND ALEXANDER — Bergman
4. 8 1/2 — Fellini
5. SEVEN SAMURAI
6. BARRY LYNDON — Kubrick
7. ONE FROGGY EVENING — Jones
8. THE RULES OF THE GAME — Renoir
9. MOTHLIGHT — Brakhage
10. VERTIGO
A rather drab list, compared to some of the exotic choices I’m seeing. But these are the ones for me, the ones I keep going back to, the FIlms That Must Be Obeyed.
Vikram Kamat
1. Ajantrik (Ritwik Ghatak, 1958)
2. Stalker (Andrei Tarkovsky, 1979)
3. Humanity and Paper Balloons / Ninjo kami fusen (Sadao Yamanaka, 1937)
4. Vengeance is Mine / Fukushû suruwa wareniari (Shohei Imamura, 1979)
5. 2001: A Space Odyssey (Stanley Kubrick, 1968)
6. Woman in the Dunes / Suna no onna (Hiroshi Teshigahara, 1964)
7. Harakiri / Seppuku (Masaki Kobayashi, 1962)
8. Last Year at Marienbad / L’année dernière à Marienbad (Alain Resnais, 1961)
9. Aguirre, the Wrath of God / Aguirre, der Zorn Gottes (Werner Herzog, 1972)
10. Goodbye, Dragon Inn / Bu san (Tsai Ming-Liang, 2003)
Ralch
1. Sans Soleil (Sunless) — 1982, France. Dir. Chris Marker
2. Otto e mezzo (8½) — 1963, Italy, France. Dir. Federico Fellini
3. Persona — 1966, Sweden. Dir. Ingmar Bergman
4. Aguirre, der Zorn Gottes (Aguirre, the Wrath of God) — 1972, West Germany. Dir. Werner Herzog
5. Kanal — 1957, Poland. Dir. Andrzej Wajda
6. Les Quatre Cents Coups (The 400 Blows) — 1959, France. Dir. François Truffaut
7. Cría cuervos (Raise Ravens) — 1976, Spain. Dir. Carlos Saura
8. Wonder Boys — 2000, U.S.A. Dir. Curtis Hanson
9. Sur (The South) — 1988, Argentina, France. Dir. Fernando E. Solanas
10. Kazdy den odvahu (Courage for Every Day) — 1964, Czechoslovakia. Dir. Evald Schorm
Alex Bean
1. Citizen Kane (Welles, 1941)
2. The Searchers (Ford, 1957)
3. Raging Bull (Scorsese, 1980)
4. Tokyo Story (Ozu, 1954)
5. Sunrise (Murnau, 1928)
6. Days of Heaven (Malick, 1978)
7. La Dolce Vita (Fellini, 1960)
8. No Country For Old Men (Coen, 2007)
9. Young Mr. Lincoln (Ford, 1939)
10. Sullivan’s Travels (Sturges, 1941)
Chris Jones
1. Once Upon a Time in America(Sergio Leone)[the 4 hour cut, not the truncated version]
2. Spirited Away(Hayao Miyazaki)
3. The Deer Hunter(Michael Cimino)
4. This is England(Shane Meadows)
5. Oldboy(Park Chan-wook)
6. Apocalypse Now(Francis Ford Coppola)
7. The Triplets of Belleville(Sydney Lumet)
8. Eraserhead(David Lynch)
9. One Flew Over the Cuckoo’s Nest(Milos Forman)
10. Arsenic and Old Lace(Frank Capra)
Risselada
1. Il buono, il brutto, il cattivo. (The Good, the Bad and the Ugly) (Sergio Leone, 1966)
2. Fargo (Joel Coen, 1989)
3. Withnail & I (Bruce Robinson, 1987)
4. Det sjunde inseglet (The Seventh Seal) (Ingmar Bergman, 1957)
5. Jeder für sich und Gott gegen alle (The Enigma of Kaspar Hauser) (Werner Herzog, 1974)
6. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
7. Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
8. Dong (The Hole) (Tsai Ming-liang, 1998)
9. 12 Angry Men (Sidney Lumet, 1957)
10. Henry Fool (Hal Hartley, 1997)
Cinesthesia (aka Duncan Gray)
1. Seven Samurai
2. Rushmore
3. M
4. Brazil
5. Trouble in Paradise
6. Raiders of the Lost Ark
7. The 400 Blows
8. Pulp Fiction
9. Eternal Sunshine of the Spotless Mind
10. Playtime
greg x
1. Kanzashi / Ornamental Hairpin – Hiroshi Shimizu 1941
2. I Walked with a Zombie – Jacques Tourneur 1943
3. Irma Vep – Olivier Assayas 1996
4. La règle du jeu / Rules of the Game – Jean Renoir 1939
5. Citizen Kane – Orson Welles 1941
6. Sang sattawat / Syndromes and a Century – Apichatpong Weerasethakul 2006
7. Perceval le Gallois – Eric Rohmer 1978
8. The Pirate – Vincente Minnelli 1948
9. Die Puppe / The Doll – Ernst Lubitsch 1919
10. Schastye / Happiness – Aleksandr Medvedkin 1935
Rossoneri Ultra
1. A Woman Under the Influence (Cassavetes, 1974, USA)
2. Faces (Cassavetes, 1968, USA)
3. Night and Fog- ‘Nuit et Brouillard’ (Resnais, 1955, France)
4. Stranger Than Paradise (Jarmusch, 1984, USA)
5. The Bitter Tears of Petra von Kant- ‘Die bitteren Tränen der Petra von Kant’ (Fassbinder, 1972, West Germany)
6. Stalker- ‘Сталкер’ (Tarkvosky, 1979, USSR & West Germany)
7. The Cloud-Capped Star- ‘Meghe Dhaka Tara’ (Ghatak, 1960, India)
8. L’Eclisse (Antonioni, 1962, Italy & France)
9. Umberto D (de Sica, 1952, Italy)
10. Grand Illusion (Renoir, 1937, France)
Zachary Philip Brailsford
1. Chungking Express (Chungking Samlam) – Wong Kar-wai, 1994, Hong Kong
2. Lost in Translation – Sophia Coppola, 2003, USA
3. Synecdoche, New York – Charlie Kaufman, 2008, USA
4. The Trial (Le Proces) – Orson Welles, 1962, France/Italy/West Germany
5. Regular Lovers (Les Amants Reguliers) – Philippe Garrel, 2005, France
6. Before Sunset – Richard Linklater, 2004, USA
7. The Spy Who Came In from the Cold – Martin Ritt, 1965, UK
8. The Long Goodbye – Robert Altman, 1973, USA
9. The 400 Blows – Francois Truffaut, 1959, France
10. Goodbye, Dragon Inn – Tsai Ming-liang, 2003, Taiwan
Matt Kilgore
1.The Silence
2. Vertigo
3. Breathless
4. 2001 A Space Odyssey
5. Citizen Kane
6. The Rules of the Game
7. The Passion of Joan of Arc
8. Killer of Sheep
9. Persona
10. Stagecoach
Jardun
1) The Assassination of Jesse James by the Coward Robert Ford – Andrew Dominik – 2007
2) 2001: A Space Odyssey – Stanley Kubrick – 1968
3) North by Northwest – Alfred Hitchcock – 1959
4) Apocalypse Now – Fancis Ford Coppola – 1979
5) Seven Samurai – Akira Kurosawa – 1954
6) The 400 Blows – Fancois Truffaut – 1959
7) There Will Be Blood – Paul Thomas Anderson – 2007
8) Spirited Away – Hayao Miyazaki – 2001
9) Children of Men – Alfonso Cuarón – 2006
10) The Good, The Bad and The Ugly – Sergio Leone – 1966
ricky richtoffen
1. Boogie Nights (P.T. Anderson, USA, 1997)
2. Medium Cool (Haskell Wexler, USA, 1969)
3. Sick: the Life & Death of Bob Flanagan, Supermasochist (Kirby Dick, USA, 1997)
4. The Battle of Algiers (Gillo Pontecorvo, Italy, 1966)
5. Harlan County, USA (Barbara Koppel, USA, 1976)
5.Sleeping Beauty (Les Clark/Eric Larson/Wolfgang Reitherman, USA, 1959)
6. the Night of the Hunter (Charls Laughton, USA, 1955)
7. A.I.:Artificial Intelligence (Steven Spielberg, USA, 2001)
8. Close-Up (Abbas Kiarostami, iran, 1990)
9. Do the Right Thing (Spike Lee, USA, 1989)
10. Citizen Kane (Orson Welles, USA, 1941)
Angel
UNTER DEN BRÜCKEN / UNDER THE BRIDGES (1945, Helmut Käutner, GER)
THE RIVER (1951, Jean Renoir, US)
THE QUIET MAN (1952, John Ford, US)
TOKYO MONOGATARI / TOKYO STORY (1953, Yasujiro Ozu, JPN)
VERTIGO (1958, Alfred Hitchcock, US)
RIO BRAVO (1959, Howard Hawks, US)
DER TIGER VON ESCHNAPUR & DAS INDISCHE GRABMAL / THE TIGER OF ESCHNAPUR & THE INDIAN TOMB (1959, Fritz Lang, FRG)
DIVORZIO ALL’ITALIANA / DIVORCE ITALIAN STYLE (1961, Pietro Germi, ITA)
EL EXTRAÑO VIAJE / STRANGE VOYAGE (1964, Fernando Fernán Gómez, SPA)
PALE RIDER (1985, Clint Eastwood, US)
Mingle
The Seventh Seal (Ingmar Bergman, 1957)
Amadeus (Milos Forman, 1984)
Vivre sa vie (Jean-Luc Godard, 1962)
Land of Silence and Darkness (Werner Herzog, 1971)
Manhattan (Woody Allen, 1979)
Close-up (Abbas Kiarostami, 1990)
Rebel Without a Cause (Nicholas Ray, 1955)
Still Walking (Hirokazu Kore-eda, 2008)
Fitzcarraldo (Werner Herzog, 1982)
Fargo (The Coen Brothers, 1996)
Klaus Capra
1. L’ALBERO DEGLI ZOCCOLI (The Tree of Wooden Clogs), Ermanno Olmi 1978
2. L’ATALANTE, Jean Vigo 1934
3. VALE ABRAÃO (Abraham’s Valley), Manoel de Oliveira 1993
4. APARAJITO (Song of the Unvanquished), Satiajit Ray 1956
5. BAISERS VOLÉS (Stolen Kisses), Francois Truffaut 1968
6. ANDREY RUBLYOV (Andrei Rublev), Andrei Tarkovsky 1966
7. MIMÌ METALLURGICO FERITO NELL’ONORE (The Seduction of Mimi), Lina Wertmüller 1972
8. LES AMANTS RÉGULIERS (Regular Lovers), Philippe Garrel 2005
9. THE PASSENGER, Michelangelo Antonioni 1975
10. IL VANGELO SECONDO MATTEO (The gospel according to Saint Matthew), Pier Paolo Pasolini 1964
Pradipta Mitra
1. Charulata (Satyajit Ray)
2. Jules et Jim (Francois Truffaut)
3. Touch of Evil (Orson Welles)
4. Goodfellas (Martin Scorsese)
5. Talk to her (Pedro Almodovar)
6. Throne of blood (Akira Kurosawa)
7. Life of Oharu (Kenji Mizoguchi)
8. Days and Nights in the Forest (Satyajit Ray)
9. Nights of Cabiria (Federico Fellini)
10. Lola Montes (Max Ophuls)
Tariq Rafiq
01. Paths of Glory (Stanley Kubrick, 1957, USA)
02. Yojimbo (Akira Kurosawa, 1961, Japan)
03. The Godfather (Francis Ford Coppola, 1972, USA)
04. Rome, Open City (Roberto Rossellini, 1945, Italy)
05. Rio Bravo (Howard Hawks, 1959, USA)
06. Pan’s Labyrinth (Guillermo Del Toro, 2006, Spain)
07. Reservoir Dogs (Quentin Tarantino, 1992, USA)
08. Week End (Jean-Luc Godard, 1967, France)
09. The Gold Rush (Charlie Chaplin, 1925, USA)
10. Casablanca (Michael Curtiz, 1943, USA)
Rohit Apte
1> Sadao Yamanaka – Humanity and Paper Balloons
2>Guru Dutt – Thirst (Pyaasa)
3>Stanley Kubrick – Dr. Strangelove
4>Masaki Kobayashi – The Human Condition
5> Mikio Naruse – Floating Clouds
6> Guru Dutt – Paper Flowers (Kaagaz Ke Phool)
7> Woody Allen – Manhattan
8>Yasujiro Ozu – Early Summer
9>Hiroshi Teshigahara – Woman in the Dunes
10> Francois Truffaut – The 400 Blows
RedLetterPrints
1. Trois couleurs: Bleu (1993)
2. The Piano (1992)
3. The Good, The Bad, The Ugly (1967)
4. The Taste of Tea (2004)
5. La Cienaga (1997)
6. The Deer Hunter (1978)
7. The Night Porter (1974)
8. The Island (2006)
9. El Topo (1970)
10. Apocalypse Now (1979)
Rajiv Ibrahim
Kings of the Road ( Im Lauf der Zeit ) – Wim Wenders – 1976
Even Dwarfs Started Small ( Auch Zwerge haben klein angefangen ) – Werner Herzog – 1970
Harvest: 3000 Years ( Mirt Sost Shi Ami ) – Haile Gerima – 1976
Sunless ( Sans soleil ) – Chris Marker – 1983
Mother Dao, the Turtlelike ( Moeder Dao, de schildpadgelijkende ) – Vincent Monnikendam – 1995
Sátántangó – Bella Tarr – 1994
The Wind Will Carry Us – Abbas Kiarostami – 1999
The Golden Thread ( Subarnarekha ) – Ritwik Ghatak – 1965
Au hasard Balthazar – Robert Bresson – 1966
The Thin Red Line – Terrence Malick – 1998
Maximilian Bercovicz
1. American Graffiti (1973)
2. Once Upon a Time in America (1984)
3. The Good, the Bad and the Ugly (1966)
4. Pulp Fiction (1994)
5. Citizen Kane (1941)
6. Reservoir Dogs (1992)
7. Apocalypse Now (1979)
8. Manhattan (1979)
9. National Lampoon’s Animal House (1978)
10. Brazil (1985)
Adam Cook
1. Playtime – Jacques Tati (1967) France
2. Jeder für sich und Gott gegen alle/Every Man For Himself and God Against All/The Enigma of Kaspar Hauser – Werner Herzog (1974) West Germany
3. Tokyo Monogatari/Tokyo Story – Yasujiro Ozu (1953) Japan
4. Taxi Driver – Martin Scorsese (1976) USA
5. Syndromes & A Century – Apichatpong Weerasethakul (2006) Thailand
6. Heat – Michael Mann (1995) USA
7. 2001: A Space Odyssey – Stanley Kubrick (1968) UK
8. Mononoke Hime/Princess Mononoke – Hayao Miyazaki (1997) Japan
9. Citizen Kane – Orson Welles (1941) USA
10. Modern Times – Charles Chaplin (1936) USA
Jack
1. 2001: A Space Odyssey – Stanley Kubrik – 1968 – USA – the first film that made me aware of the concept of director as auteur. Kubrick takes a giant screen and fills it with a giant story – the entire history of the progress of the human race – and does it stunningly.
2. The 400 Blows (Les quatres cents coups) – Francois Truffaut – 1959 – France – the ultimate coming-of-age story told in a style that epitomized the New Wave school of film.
3. Blade Runner – Ridley Scott – 1982 – USA – a film I never tire of seeing. A story about the creation of almost-human androids that must be terminated because they have become almost human, Blade Runner deals with the topic most important to us all – the human condition.
4. Eraserhead – David Lynch – 1976 – USA – David Lynch’s surrealist world is disturbing at a most profound level. The story almost makes sense, and that is the key to its disruptive power.
5. The Last Picture Show – Peter Bogdanovich – 1971 – USA – a story about a time and a place that is long gone, told in a poignant, almost haunting way that leaves a lasting sense of longing unfulfilled.
6. Tokyo Story (Tokyo monogatari) – Yasujiro Ozu – 1953 – Japan – Ozu’s masterful, understated techniques show us how Japanese culture is so different from the rest of the world, and how, conversely, we are all so very much alike. A movie of cool surfaces that contains overflowing emotion.
7. Apocalypse Now – Francis Ford Coppola – 1979 – USA – a cornucopia of sensory overload that takes us through the Vietnam War to leave us with the impact of the experience rather than the actual experience itself. When I left the theatre, I was still stunned by its pyrotechnics.
8. Wings of Desire – (Der Himmel uber Berlin) – Wim Wenders – 1987 – Germany – a film about angels? In Wenders’ hands, it works sublimely, looks exquisite, and resonates deeply. Extra credit for the brilliant inclusion of Peter Falk and Nick Cave and the Bad Seeds.
9. Pulp Fiction – Quentin Tarantino – 1994 – USA – what can be said that hasn’t been said? Great use of non-linear time, dialogue that crackles and acting that is so brilliant it hurts.
10. The Passion of Joan of Arc (La passion de Jeanne d’Arc) – Carl Theodor Dreyer – 1928 – Denmark – A marvelous attempt to make us see how different one woman was compared to all those around her. The actress known as Falconetti portrays Joan as the calm yet unworldly eye in the hurricane of her time. The best silent film ever made.
Alex K
1. The Battle of Algiers (La battaglia di Algeri), 1966, Gillo Pontecorvo
2. Dogville, 2003, Lars von Trier
3. Caché, 2005, Michael Haneke
4. Blade Runner, 1982, Ridley Scott
5. Midnight Cowboy, 1969, John Schlesinger
6. Blue Velvet, 1986, David Lynch
7. In the Mood for Love (Fa Yeung Nin Wa), 2000, Wong Kar-wai
8. Stalker, 1979, Andrei Tarkovsky
9. Yojimbo, 1961, Akira Kurosawa
10. There Will Be Blood, 2007, Paul Thomas Anderson
Bijoux
1. The Exterminating Angel (Bunuel)
2. Mulholland Dr. (Lynch)
3. The Third Man (Reed)
4.Jules and Jim (Truffaut)
5. The Hour of the Wolf (Bergman)
6. Cinema Paradiso (Tornatore)
7. Harold and Maude (Ashby)
8. Suspiria (Argento)
9. Fanny and Alexander (Bergman)
10. Top Hat (Sandrich)
dawarren
1. The Red Shoes – Michael Powell & Emeric Pressburger (1948)
2. The Virgin Spring – Ingmar Bergman (1960)
3. The Decalogue – Krzysztof Kieślowski (1989)
4. Stalker – Andrei Tarkovsky (1979)
5. The Passion of Joan of Arc – Carl Theodor Dreyer (1928)
6. Rear Window – Alfred Hitchcock (1954)
7. Dr. Strangelove – Stanley Kubrick (1964)
8. Pulp Fiction – Quentin Tarantino (1994)
9. The Godfather – Francis Ford Coppola (1972)
10. Vivre sa vie – Jean-Luc Godard (1962)
L.A.™
1. 2001:A Space Odyssey – Stanley Kubrick – 1968
2. Persona – Ingmar Bergman – 1966
3. Schindler’s List – Steven Spielberg – 1993
4. Goodfellas – Martin Scorsese – 1990
5. The Insider – Michael Mann – 1999
6. In the Mood for Love – Wong Kar-Wai – 2000
7. The Lives of Others – Florian Henckel von Donnersmarck – 2006
8. High and Low – Akira Kurosawa – 1963
9. Mulholland Drive – David Lynch – 2001
10. Black Hawk Down – Ridley Scott – 2001
Erik Gregersen
1. Gertrud (Carl Theodor Dreyer, 1964, Denmark)
2. Heavenly Creatures (Peter Jackson, 1994, New Zealand)
3. The Color of Pomegranates [Sayat Nova] (Sergei Paradjanov, 1968, USSR)
4. Blade Runner (Ridley Scott, 1982, USA)
5. Lawrence of Arabia (David Lean, 1962, UK)
6. Tabu (F. W. Murnau, 1931, USA)
7. Branded to Kill [Koroshi no Rakuin] (Seijun Suzuki, 1967, Japan)
8. Citizen Kane (Orson Welles, 1941, USA)
9. My 20th Century [Az en XX. Szazadom] (Ildiko Enyedi, 1989, Hungary)
10. Macbeth (Orson Welles, 1948, USA)
AxelUmog
1. The Graduate
2. 2001: A Space Odyssey
3. Mulholland Drive
4. Blood Simple
5. 8 1/2
6. Lost in Translation
7. Naked
8. Fight Club
9. Punch-Drunk Love
10. My Neighbor Totoro
JP. Schmidt
1. The Only Son (Hitori Musuko) – Yasujiro Ozu, 1936 Japan
2. City Lights – Charles Chaplin, 1931 United States
3. Love Streams – John Cassavetes, 1984 United States
4. the Passion of Joan of Arc (la Passion de Jeanne D’Arc) – Carl Theodor Dreyer, 1928 France
5. The Mirror (Zerkalo) – Andrei Tarkovsky, 1975 Soviet Union
6. Maborosi (Maborosi No Hikari) – Hirokazu Kore-eda, 1995 Japan
7. Ugetsu (Ugetsu Monogatari) – Kenji Mizoguchi, 1953 Japan
8. A Time to Live and a Time to Die (Tong Nien Wang Shi) – Hou Hsaio-hsien, 1985 Taiwan
9. Crimes and Misdemeanors – Woody Allen, 1989 United States
10. Window Water Baby Moving – Stan Brakhage, 1962 United States
The Only Son — my father has sacrificed everything for me to attempt to be the filmmaker I want to be. I discovered this film at the perfect time in my life: the crossroads of before I move out on my own as an individual and an artist.
City Lights — the final scene. For something being such a painstaking process … and such dislike between the two stars … such perfection, love at the root of it all.
Love Streams — saying “raw” never does a Cassavetes film justice. This is the human experience, the best and worst.
the Passion of Joan of Arc — I could not imagine the mind that somehow ended up cutting this together, it was probably made of solid gold.
The Mirror — so personal, and exact.
Maborosi — exactly the kind of film I aspire to make in every way possible; the perfect anytime film for me. I can pop it in and allow every pour to become saturated, be it for a moving experience or just in the background to allow the images and music to truly entrance my mind.
Ugetsu — the master perfectly explains human nature. Yeah, we’re that bad.
A Time to Live and a Time to Die — conjures the same thoughts as Maborosi for me, but on a different level. Connections on a family scale instead of a love scale. Loss differs in both regards.
Crimes and Misdemeanors — another great example of the human condition, though this time at least we can laugh at it … mostly.
Window Water Baby Moving — There are hardly words for it, but it truly captures life in the deepest of ways and shows that not only is joy around us but so is art, in every little moment. It is part of joy … or can be.
mymansyd
Sunrise (1927/Murnau)
The Crime of Monsieur Lange (1936/Renoir)
Los Olvidados (1950/Bunuel)
Voyage in Italy (1953/Rossellini)
A Man Escaped (1956/Bresson)
Vertigo (1958/Hitchcock)
Le Bonheur (1965/Varda)
Taking Off (1971/Forman)
Boyfriends and Girlfriends (1987/Rohmer)
The Son (2002/Dardennes)
Andre
Naked Spur – Anthony Mann, 1953, USA 
Late Spring – Yasujiro Ozu, 1949, Japan
Ballad of a Soldier — Grigor Chukhrai, 1959, Soviet Union
In a Lonely Place — Nicholas Ray, 1950, USA
The Man Who Shot Liberty Valance — John Ford, 1962, USA
Vertigo — Alfred Hitchcock, 1958, USA
The  Cloud-Capped Star — Ritwik Ghatak, 1960, India
Summer Interlude — Ingmar Bergman, 1951, Sweden
Spring in a Small Town — Fei Mu, 1948, China
Lilith — Robert Rossen, 1964, USA

Dominicano1970
It’s a Wonderful Life [1946, Frank Capra]
L.A. Confidential [1997, Curtis Hanson]
To Kill a Mockingbird [1962, Robert Mulligan]
The Third Man [1949, Carol Reed]
The Good, the Bad and the Ugly [1966, Sergio Leone]
The Criminal Life of Archibaldo de la Cruz (Ensayo de un crimen) [1955, Luis Buñuel]
Casablanca [1943, Michael Curtiz]
The Apartment [1960, Billy Wilder]
Rio Bravo [1959, Howard Hawks]
Letter from an Unknown Woman [1948, Max Ophüls]
Bonemachine
1. Raging Bull (Martin Scorsese) 1980- US
2. Le Doulos (Jean-Pierre Melville) 1962- France
3. 2001: A Space Odyssey (Stanley Kubrick) 1968- US
4. Il Deserto Rosso – Red Desert (Michaelangelo Antonioni) 1964- Italy
5 Straw Dogs (Sam Peckinpah) 1971- US
6 Heat (Micheal Mann) 1995- US
7 The Thin Red Line (Terence Malick) 1998- US
8 Aguirre, der Zorn Gottes- Aguirre, The Wrath of God (Werner Herzog) 1972- Germany
9 Dead Ringers (David Cronenberg) 1988- US/Canada
10 The Tenant (Roman Polanski) 1976- France/US
Cat Krum
1. Eternal Sunshine of the Spotless Mind (Michel Gondry)
2. The Philadelphia Story (George Cukor)
3.The Royal Tenenbaums (Wes Anderson)
4. Annie Hall (Woody Allen)
5. Amélie (Jean-Pierre Jeunet)
6. Harold and Maude (Hal Ashby)
7. Reality Bites (Ben Stiller)
8. Stranger Than Fiction (Marc Forster)
9. Once (John Carney)
10 I’m Not There (Todd Haynes)
jaredmobarak
1. Magnolia – Paul Thomas Anderson (1999)
2. Lost Highway – David Lynch (1997)
3. The Fountain – Darren Aronofsky (2006)
4. Pulp Fiction – Quentin Tarantino (1994)
5. Eyes Wide Shut – Stanley Kubrick (1999)
6. Days of Heaven – Terrence Malick (1978)
7. 21 Grams – Alejandro González Iñárritu (2003)
8. Who’s Afraid of Virginia Woolf? – Mike Nichols (1966)
9. Paris, Texas – Wim Wenders (1984)
10. The Deer Hunter – Michael Cimino (1978)
johnnyd
Vertigo
Chinatown
Amarcord
City Lights
Annie Hall
Dr. Strangelove
2001
The Big Lebowski
Notorious
The Red Shoes
Jeffrey Hunter
The Searchers
Ordet
Badlands
Aguirre, the Wrath of God
The Man Who Shot Liberty Valance
Distant Voices, Still Lives
Husbands
Raging Bull
A Taste of Cherry
Seven Samurai
branduponthebrain
1. Mirror (Andrei Tarkovsky, 1975)
2. As I Was Moving Ahead, Occasionally I Saw Glimpses of Beauty (Jonas Mekas, 2000)
3. A Page of Madness (Teinosuke Kinugasa, 1926)
4. Napoleon (Abel Gance, 1927)
5. Dr. Strangelove Or: How I Learned To Stop Worrying About and Love The Bomb (Stanley Kubrick, 1964)
6. Playtime (Jacques Tati, 1967)
7. The Human Condition (Masaki Kobayashi, 1959)
8. Stroszek (Werner Herzog, 1977)
9. The Traveling Players Theodoros Angelopoulos, 1975)
10. Gummo (Harmony Korine, 1997)
w:i:l:b:e:r:t:o: :i:r:a:h:e:t:a:
Histoire(s) du cinéma Jean Luc Godard, 1988-1998
Faces- John Cassavetes, 1968
Out 1, noli me tangere- Jacques Rivette, 1971
Chimes At Midnight- Orson Welles, 1965
A Brighter Summer Day- Edward Yang,
1991
Edvard Munch- Peter Watkins, 1974
The Scenic Route- Mark Rappaport, 1978
Lonesome- Pál Fejös, 1928
Untitled (For Marilyn)- Stan Brakhage,
1991
Mishima: A Life In Four Chapters- Paul Schrader, 1985
zachmoore
1. 2001: A Space Odyssey (1968)
2. There Will Be Blood (2007)
3. Last Year at Marienbad (1961)
4. 8½ (1963)
5. Ran (1985)
6. Synecdoche, New York (2008)
7. Boogie Nights (1997)
8. Apocalypse Now (1979)
9. Pulp Fiction (1994)
10. Lost in Translation (2003)
mauries
1. The Good, The Bad & The Ugly (Leone, 1966)
2. There Will Be Blood (Anderson, 2007)
3. Blade Runner (Scott, 1982)
4. Badlands (Malick, 1973)
5. The Last Picture Show (Bogdanovich, 1971)
6. Chungking Express (Kar-Wai, 1993)
7. Children of Men (Cuaron, 2006)
8. North by Northwest (Hitchcock, 1959)
9. The Thin Red Line (Malick, 1998)
10. Persona (Bergman, 1966)
Ø.L.
1. Apocalypse Now – Francis Ford Coppola – 1979
2. McCabe & Mrs. Miller – Robert Altman – 1973
3. Riget – Lars von Trier – 1994
4. The Spirit of the Beehive – Víctor Erice – 1973
5. The Apartment – Billy Wilder – 1960
6. Porco Rosso – Hayao Miyazaki – 1992
7. Only Angels Have Wings – Howard Hawks – 1939
8. Vengeance Is Mine – Shohei Imamura – 1979
9. Come and See – Elem Klimov – 1985
10. The Big Lebowski – Joel Coen, Ethan Coen – 1998
Malik
1. Betty Blue
2. Kill Bill
3. Jin Roh: The Wolf Brigade
4. (Vidas Secas) Barren Lives
5. Mr. Smith Goes to Washington
6. Ghost in the Shell
7. Guantanamera
8. Drunken Master
9. Casablanca
10. Fantasia
PoopButt
1. 2001: A Space Odyssey – Dir. Stanley Kubrick
2. MIrror – Dir. Andrei Tarkovsky
3. Andrei Rublev – Dir. Andrei Tarkovsky
4. Stalker – Dr. Andrei Tarkovsky
5. Ordet – Dir. Carl Dreyer
6. Decalogue – Dir. Krzysztof Kieslowski
7. Last Year at Marienbad – Dir. Alain Resnais
8. The Thin Red Line – Dir. Terrence Malick
9. Vertigo – Dir. Alfred Hitchcock
10. Diary of a Country Priest – Dir. Robert Bresson
Daniel Vincent
01. Mouchette (Robert Bresson, 1967)
02. Soy Cuba (Mikhail Kalatozov, 1964)
03. Aguirre: The Wrath of God (Werner Herzog, 1972)
04. City Lights (Charlie Chaplin, 1931)
05. Sympathy for Lady Vengeance (Park Chan-wook, 2005)
06. 2001: A Space Odyssey (Stanley Kubrick, 1968)
07. M (Fritz Lang, 1931)
08. Nights of Cabiria (Federico Fellini, 1957)
09. The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
10. Johnny Guitar (Nicholas Ray, 1954)
Megg
1. Gone with the Wind (Victor Fleming ’39)
2. King of Comedy (Martin Scorsese ’82)
3. Kiss of the Spider Woman (Hector Babenco ’85)
4. The Incredible Shrinking Man (Jack Arnold ’57)
5. Sense and Sensibility (Ang Lee ’95)
6. The Virgin Spring (Ingmar Bergman ’60)
7. Neverending Story (Wolfgang Petersen ’84)
8. Billy Budd (Peter Ustinov ’62)
9. Zulu (Cy Endfield ’64)
10. Gummo (Harmony Korine ’97)
_________________________________________________________________


Johnny DuBiel
1 The Thin Red Line – Malick/1998 USA
2 The Passenger (Professione: Reporter) – Antonioni/1975 Italy/Spain/France
3 The Big Sleep – Hawks/1946 USA
4 The Passion of Joan of Arc (La Passion de Jeanne d’Arc) – Dreyer/1928 France
5 Persona – Bergman/1966 Sweden
6 Barry Lyndon – Kubrick/1975 USA/UK
7 The Merchant of Four Seasons (Handler der vier Jahreszeiten) – Fassbinder/1971 West Germany
8 Jules & Jim (Jules et Jim) – Truffaut/1962 France
9 Red River – Hawks/1948 USA
10 City Lights – Chaplin/1931 USA
rishi goswami
1.lost in translation (2003)
dir :sofia coppola
2.bittersweet life (2005)
dir:kim-ji-woon
3.nikita (1990)
dir: luc besson
4.chunking express (1994)
dir: wong kar wai
5.blue bird (2005)
dir:mijke de jong
6.seven samurai (1954)
dir:akira kurosawa
7.waltz with bashir (2008)
dir:ari folman
8.dil chahta hain (2001)
dir: farhan akhtar
9.before sunset (2004)
dir:richard linklater
10.godfatehr 2 (1974)
dir:francis ford coppola
Celeryfc
The Good, The Bad and The Ugly – Sergio Leone 1966
Days of Heaven – Terrence Malick 1978
The Bicycle Thieves – Vittorio De Sica 1948
Fight Club – David Fincher 1999
Amadeus – Milos Forman 1984
A Woman Under the Influence – John Cassavetes 1974
Barry Lyndon – Stanley Kubrick 1975
Adaptation – Spike Jonze 2002
Rear Window – Alfred Hitchcock 1954
The Assassination of Jesse James by the Coward Robert Ford – Andrew Dominik 2007
Roman Petrov
1. The Lord of the Rings – Peter Jackson – 2001-2003
2. Star Wars – George Lucas – 1977
3. Lawrence of Arabia – David Lean – 1962
4. The Godfather – Francis Ford Coppola – 1972
5. Raging Bull – Martin Scorsese – 1980
6. Seven Samurai – Akira Kurosawa – 1954
7. Children of Men – Alfonso Cuaron – 2006
8. The Thin Red Line – Terrence Malick – 1998
9. Memento – Christopher Nolan – 2001
10. Andrei Rublev – Andrei Tarkovsky – 1967
Neil McCauley's Cooler Brother
1. 2001: A Space Odyssey (1968)
Director: Stanley Kubrick
2. Persona (1966)
Director: Ingmar Bergman
3. L’Avventura (1960)
Director: Michelangelo Antonioni
4. The Magnificent Ambersons (1942)
Director: Orson Welles
5. The Searchers (1956)
Director: John Ford
6. A Man Escaped (1956)
Director: Robert Bresson
7. Citizen Kane (1941)
Director: Orson Welles
8. Cache (2005)
Director: Michael Haneke
9. M (1931)
Director: Fritz Lang
10. Nashville (1975)
Director: Robert Altman
John Anderson
1. The Thin Red Line (Terrence Malick, 1998)
2. Pierrot le Fou (Jean-Luc Godard, 1965)
3. The Royal Tenenbaums (Wes Anderson, 2001)
4. The 400 Blows (Francois Truffaut, 1959)
5. No Country for Old Men (Ethan Coen, Joel Coen, 2007)
6. In Bruges (Martin McDonagh, 2008)
7. Wings of Desire (Wim Wenders, 1987)
8. Mulholland Drive (David Lynch, 2001)
9. City of God (Fernando Meirelles, Katia Lund, 2002)
10. Goodfellas (Martin Scorcese, 1990)
OLIVER
BADLANDS….(dir. terrence malick)
CHILDREN OF PARADISE…(dir. marcel carné)
SCORPIO RISING…(dir. kenneth anger)
BICYCLE THIEVES…(dir. vittorio de sica)
PARIS, TEXAS…(dir. wim wenders)
MODERN TIMES…(dir. charlie chaplin)
BOOGIE NIGHTS…(dir. paul thomas anderson)
PERSONA…(dir. ingmar bergman)
CRIA CUERVOS…(dir. carlos saura)
AGUIRRE, THE WRATH OF GOD…(dir. werner herzog)
TheGamgee
Citizen Kane
Eternal Sunshine of the Spotless Mind
No Country for Old Men
Paths of Glory
Bonnie and Clyde
The Godfather
On the Waterfront
The Seventh Seal
Last Tango in Paris
Magnolia
David366
Rules of the Game (La règle du jeu) – Renoir, 1939
The General – Bruckman & Keaton, 1926
Citizen Kane – Welles, 1941
Ugetsu (Ugetsu monogatari) – Mizoguchi, 1953
Psycho – Hitchcock, 1960
Dr. Strangelove – Kubrick, 1964
Playtime – Tati, 1967
Aguirre, Wrath of God – Herzog, 1972
Celine and Julie Go Boating (Céline et Julie vont en bateau) – Rivette, 1974
Nashville – Altman, 1975
MovieGuide1
The General, 1926, Buster Keaton/Clyde Bruckman
Ninotchka, 1939, Ernst Lubitsch
Open City (Roma, città aperta), 1945, Roberto Rossellini
The Big Sleep, 1946, Howard Hawks
The Ten Commandments, 1956, Cecil B. DeMille
Vertigo, 1958, Alfred Hitchcock
The Executioner (El verdugo), 1963, Luis García Berlanga
Dersu Uzala, 1975, Akira Kurosawa
Star Wars, 1977, George Lucas
E.T.: The Extra-Terrestrial, 1982, Steven Spielberg
Satrio Nindyo Istiko
1. Synecdoche, New York (2008, Charlie Kaufman)
2. Tokyo Story (1953, Yasujiro Ozu)
3. The Unbearable Lightness of Being (1988, Philip Kaufman)
4. Summer Hours (2008, Olivier Assayas)
5. Chasing Amy (1997, Kevin Smith)
6. Network (1976, Sidney Lumet)
7. Requiem From Java (2006, Garin Nugroho)
8. Away We Go (2009, Sam Mendes)
9. The Piano Teacher (1990, Michael Haneke)
10. 4:30 (2005, Royston Tan)
Commentary :
These films reflect my personality, experiences, mixed deep and raw feelings ranged from negative to positive ones, dreams, and personal view of life as an individual and social being.
Andhika Eka Buana
1. Magnolia (Paul Thomas Anderson)
2. Punishment Park (Peter Watkins)
3. 8 1/2 (Federico Fellini)
4. Chungking Express (Wong Kar-wai)
5. Land of Silence and Darkness (Werner Herzog)
6. 400 Blows (Francois Truffaut)
7. Picnic at Hanging Rock (Peter Weir)
8. 2001: A Space Odyssey (Stanley Kubrick)
9. The Phantom of Liberty (Luis Bunuel)
10. The Professional (Luc Besson)
Cedric
1. Maborosi (Hirokazu Koreeda / 1995 / Japan)
2. Edvard Munch (Peter Watkins / 1974 / Sweden, Norway)
3. Sans Soleil (Chris Marker / 1983 / France)
4. A City of Sadness (Hsiao-Hsien Hou / 1989 / Taiwan)
5. The Shop on Main Street (Ján Kadár & Elmar Klos / 1965 / Czechoslovakia)
6. Nárcisz és Psyché (Gábor Bódy / 1980 / Hungary)
7. Still Life (Sohrab Shahid Saless / 1974 / Iran)
8. Route One/USA (Robert Kramer / 1989 / France, UK, Italy)
9. Death in the Land of Encantos (Lav Diaz / 2007 / Philippines)
10. Antigone (Danièlle Huillet & Jean Marie Straub / 1992 / Germany, France)
H. K.
1. Taxi Driver (1976, Martin Scorsese)
2. Sátántangó, (1994, Béla Tarr)
3. Fox and his Friends – Faustrecht der Freiheit (1975, Rainer Werner Fassbinder)
4. Raising Cain, (1992, Brian De Palma)
5. Late Spring – Banshun (1949, Yasujiro Ozu)
6. I Can’t Sleep – J’ai pas sommeil (1994, Claire Denis)
7. Greed (1924, Erich Von Stroheim)
8. Tropical Malady – Sud pralad (2004, Apichatpong Weerasethakul)
9. Nothing but a Man (1964, Michael Roemer)
10. Extreme Private Eros: Love Song 1974 – Gokushiteki Erosu: Renka 1974 (1974, Kazuo Hara)
jose fuentes
1. 8 1/2 – Federico Fellini 1963
2. Hiroshima, my love (Hiroshima mon amour) – Alain Resnais 1959
3. It’s a wonderful life – Frank Capra 1946
4. Le scaphandre et le papillon (The diving bell and the butterfly) – Julian Schnabel 2007
5. The sea inside (Mar Adentro) – Alejandro Amenabar 2004
6. Sherlock Jr. – Buster Keaton 1924
7. Rear window – Alfred Hitchcock 1954
8. Seven Samurai (Sichinin no Samurai) – Akira Kurosawa 1954
9. The fountain Darren Aronofsky 2006
10. Werckmesiter Harmonies (Werckmesiter Harmoniak) – Bela Tarr 2000
cookiemonster
The Wild Bunch (1969) Sam Peckinpah | USA
Throne of Blood / Kumonosu-jo (1957) Akira Kurosawa | Japan
Raging Bull (1980) Martin Scorsese | USA
Children of Paradise / Les Enfants du Paradis (1945) Marcel Carne | France
The Jetty / La Jetee (1962) Chris Marker | France
Persona (1966) Ingmar Bergman | Sweden
Wings of Desire / Der Himmel über Berlin (1987) Wim Wenders | West Germany, France
The Trial / Le Proces (1962) Orson Welles | France, West Germany, Italy
The Passion of Joan of Arc / a Passion de Jeanne d’Arc (1928) Carl Theodor Dreyer | France
Stalker (1979) Andrei Tarkovsky | Soviet Union
Manny Lage
- City Lights (Chaplin, 1931)
- *Corpus Callosum (Snow, 2001)
- Salò, or the 120 Days of Sodom (Pasolini, 1975)
original Italian title: Salò o le 120 giornate di Sodoma
- Wind From the East (Godard, 1970)
original French title: La vent d’est
- Tropical Malady (Weerasethakul, 2004)
original Thai title: Sud pralad
- Blue (Jarman, 1993)
- Enter the Void (Noé, 2009)
- The Mother and the Whore (Eustache, 1973)
original French title: Le maman et la putain
- Les hautes solitudes (Garrel, 1974)
- Abel Gance’s Napoleon (Gance, 1927)
original French title: Napoléon
KingoGondo
1. The New World – Terrence Malick – 2005
2.The Seven Samurai – Akira Kurosawa – 1954
3. 2001 – Stanley Kubrick – 1968
4. High and Low – Akira Kurosawa – 1963
5. Princess Mononoke – Hayao Miyazaki – 1997
6. Magnolia – Paul T. Anderson – 1999
7. The Human Condition – M. Kobayashi – 1959
8. Love Exposure – Sion Sono – 2008
9. The Mirror – A. Tarkovsky – 1975
10. The Thin Red Line – Terrence Malick – 1998
Nick Block
Werckmeister Harmonies (Béla Tarr, 2000)
The Fountain (Darren Aronofsky, 2006)
Notorious (Alfred Hitchcock, 1946)
Sátántangó (Béla Tarr, 1996)
The Sound of Music (Robert Wise, 1965)
Meshes of the Afternoon (Maya Deren, 1943)
Szegénylegények (The Round-Up) (Miklós Jancsó, 1966)
Pickpocket (Robert Bresson, 1959)
Bicycle Thieves (Vittorio de Sica, 1948)
The Double Life of Veronique (Krzysztof Kieślowski, 1991)
Jason Callen
1. 2001: A Space Odyssey (Stanley Kubrick, 1968)—United Kingdom
2. Heart of Glass/Herz aus Glas (Werner Herzog, 1976)—West Germany
3. Once Upon a Time in America (Sergio Leone, 1984)—Italy, United States
4. Alien (Ridley Scott, 1979)—United States, United Kingdom
5. Taxi Driver (Martin Scorsese, 1976)—United States
6. Camera Buff/Amator (Krzysztof Kieslowski, 1979)—Poland
7. All That Jazz (Bob Fosse, 1979)—United States
8. Days of Heaven (Terrence Malick, 1978)—United States
9. Henry: Portrait of a Serial Killer (John McNaughton, 1986)—United States
10. Bad Day at Black Rock (John Sturges, 1955)—United States
Jerry Johnson
The Rules of the Game (Jean Renoir – 1939)
Wagon Master (John Ford – 1950)
Subida al Cielo (Luis Bunuel – 1952)
The Sound of the Mountain (Mikio Naruse – 1954)
Lola Montes (Max Ophuls – 1955)
Nightfall (Jacques Tourneur – 1957)
The Tall T (Budd Boetticher – 1957)
The Taking of Power by Louis XIV (Roberto Rossellini – 1966)
Bring Me the Head of Alfredo Garcia (Peckinpah – 1974)
La Libertad (Lisandro Alonso – 2004)
Bon Jovi Friday!
Seven Samurai (SHICHININ NO SAMURAI), Akira Kurosawa, 1954
Come and See (IDI I SMOTRI), Elem Klimov, 1985
Akira, Katsuhiro Ôtomo, 1988
The Life Aquatic with Steve Zissou, Wes Anderson, 2004
The Thing, John Carpenter, 1982
Fireworks (HANA-BI), Takeshi Kitano, 1997
In the Mood for Love (FA YEUNG NIN WA), Wong Kar-wai, 2000
City Lights, Charlie Chaplin, 1931)
The Night of the Hunter, Charles Laughton, 1955
Make Way for Tomorrow, Leo McCarey, 1937
Mr Lumpy
1. The Third Man (1949) – Carol Reed / UK
2. Quatre Cents Coups / Four Hundred Blows (1959) – Francois Truffaut / France
3. Suna No Onna / Woman of the Dunes (1964) – Hiroshi Teshigahara / Japan
4. Notti di Cabiria / Nights of Cabiria (1957) – Federico Fellini / Italy
5. Pulp Fiction (1994) – Quentin Tarantino / USA
6. The Big Sleep (1946) – Howard Hawks / USA
7. A Matter of Life and Death (1946) – Michael Powell & Emeric Pressburger / UK
8. 2001 A Space Odyssey (1968) – Kubrick / USA
9. Blade Runner (1982) – Ridley Scott / USA
10. Apur Sansar / The World of Apu (1959) – Satyajit Ray / India
pjjrfan
1The Godfather 1 and 2, Coppola, 1972 and 1974 I count this as one film most list do but I also think that the greatness of the 2nd one is because it’s a continuation of the first one and it’s intermixing of the Don’s early life.
2 How Green Was My Valley
John Ford, 1941
3. Citizen Kane
Welles, 1941
4.Wild Bunch
Peckinpah, 1969
5. Casablanca
Curtiz, 1942
6. Seventh Seal
Bergman, 1957
7. Ran
Kurosawa, 1985
8. Lawrence of Arabia
Lean, 1962
9. 2001: a Space Odyssey
Kubrick, 19668
10. Apocolypse Now
Coppola, 1979
kenneth stanley
Touch of Evil (Orson Welles) 1958
8 1/2 (Federico Fellini) 1963
Ordet (Carl Theodor Dreyer) 1955
L’Argent (Robert Bresson) 1983
Persona (Ingmar Bergman) 1966
Vivre sa Vie (Jean-Luc Godard) 1962
Seven Samourai (Akira Kurusawa) 1954
Miller’s Crossing (Joel Coen) 1990
The Exterminating Angel (Luis Bunuel) 1962
Blue Velvet (David Lynch) 1986
Dan Coyote
1. Almost Famous (2000, Cameron Crowe)
2. Pan’s Labyrinth (2006, Guillermo del Toro)
3. Lawrence of Arabia (1962, David Lean)
4. A Hard Day’s Night (1964, Richard Lester)
5. Dazed and Confused (1993, Richard Linklater)
6. Harakiri (1962, Masaki Kobayashi)
7. The Brave Little Toaster (1987, Jerry Rees)
8. Harvey (1950, Henry Koster)
9. Tombstone (1993, George P. Cosmatos)
10. Braveheart (1995, Mel Gibson)
Wolves at the King
Oldboy (Oldeuboi) 2003 – Park Chan-wook
The Double Life of Veronique (La double vie de Véronique) 1991 – Krzysztof Kieślowski
Ghost World- 2001-Terry Zwigoff
Irreversible – 2002 – Gaspar Noe
Cannibal Holocaust – 1980 – Ruggero Deodato
Buffalo ’66 – 1998 – Vincent Gallo
2001: A Space Odyssey – 1968 – Stanley Kubrick
A Clockwork Orange – 1971 – Stanley Kubrick
Wendy and Lucy – 2008 – Kelly Reichardt
The Wrestler – 2008 – Darren Aronofs
8 paduchi
10. Beau Travail (Claire Denis, 1999)
9. Kwaidan (Masaki Kobayashi, 1965)
8. Querelle (Rainer Werner Fassbinder, 1982)
7. Funeral Parade of Roses (Toshio Matsumoto, 1969)
6. La luna (Bernardo Bertolucci, 1979)
5. Ludwig (Luchino Visconti, 1972)
4. La jetée (Chris Marker, 1962)
3. Le souffle au coeur (Louis Malle, 1971)
2. The Hours (Stephen Daldry, 2002)
1. Cries and Whispers (Ingmar Bergman, 1972)
M I
1.) The Apartment (Billy Wilder, 1960)
2.) Sunrise (F.W. Murnau, 1927)
3.) Vertigo (Alfred Hitchcock, 1958)
4.) The Third Man (Carol Reed, 1949)
5.) The Earrings of Madame De… (Max Ophuls, 1953)
6.) In The Mood For Love (Wong Kar Wai, 2001)
7.) 8 ½ (Federico Fellini, 1963)
8.) Chinatown (Roman Polanski, 1974)
9.) Lawrence of Arabia (David Lean, 1962)
10.) The New World (Terrence Malick, 2005)
Junderhump
Rules of the Game – Renoir 1939
Ugetsu – Mizoguchi 1953
Tall T – Boetticher 1957
The Big Heat – Lang 1954
Ali: Fear Eats the Soul : Fassbinder 1974
Gun Crazy – Lewis 1949
Playtime- Tati 1967
The General – Keaton 1926
Sunrise- Murnau 1927
Touch of Evil – Welles 1958
Army of Shadows – Melville 1969
Eric Dupont
01. Fanny and Alexander (Ingmar Bergman, 1982)
02. Stalker (Andrei Tarkovsky, 1979)
03. 2001: A Space Odyssey (Stanley Kubrick, 1968)
04. Red Desert (Michelangelo Antonioni, 1964)
05. Walkabout (Nicholas Roeg, 1971)
06. Shadow of a Doubt (Alfred Hitchcock, 1943)
07. Yi Yi (Edward Yang, 2000)
08. (Federico Fellini, 1963)
09. Volver (Pedro Almodóvar, 2006)
10. In the Mood for Love (Wong Kar-wai, 2000)
scape
1. The Age of Innocence (Martin Scorsese, USA, 1993)
2. The Double Life of Veronique (“La double Vie de Véronique “, Krzysztof Kieślowski, France, 1993)
3. Picnic at Hanging Rock (Peter Weir, Australia, 1975)
4. Antichrist (Lars von Trier, Denmark, 2009)
5. Umberto D. (Vittorio de Sica, Italy, 1952)
6. A Woman under Influence (John Cassavetes, USA, 1974)
7. Mulholland Drive (David Lynch, USA, 2001)
8. 3 Women (Robert Altman, USA, 1977)
9. Wings of Desire (“Himmel über Berlin”, Wim Wenders, 1987)
10. Days of Heaven (Terrence Malick, USA, 1978)
Bleu Poster
01
Three Colors: Blue
Krzysztof Kieślowski
#
02
The Double Life of Véronique
Krzysztof Kieślowski
#
03
The Seventh Continent
Michael Haneke
#
04
The New World
Terrence Malick
#
05
Beau travail
Claire Denis
#
06
Andrei Rublev
Andrei Tarkovsky
#
07
Tropical Malady
Apichatpong Weerasethakul
#
08
Silent Light
Carlos Reygadas
#
09
Waltz with Bashir
Ari Folman
#
10
The Trial of Joan of Arc
Robert Bresson
Caligula
Andrei Rublev (Andrei Tarkovsky, 1966)
Sátántangó (Bela Tarr, 1994)
Stalker (Andrei Tarkovsky, 1979)
Ran (Akira Kurosawa, 1985)
Au Hasard Balthazar (Robert Bresson, 1966)
La Dolce Vita (Federico Fellini, 1960)
Werckmeister Harmonies (Original Title: Werckmeister harmóniák) (Bela Tarr, 2000)
Persona (Ingmar Bergman, 1966)
Stroszek (Werner Herzog, 1977)
12 Angry Men (Sidney Lumet, 1957)
Dan Bayer
1. Singin’ In The Rain (Stanley Donen and Gene Kelly, 1952)
Absolutely perfect in every way.
2. Casablanca (Michael Curtiz, 1942)
Old Hollywood at its finest, firing on all cylinders. One of the all-time greatest scrrenplays.
3. Star Wars (George Lucas, 1977)
It’s paled with time, but the first time you see it, Star Wars is everything cinema should be. Genuinely exciting to watch.
4. In The Mood for Love (Wong Kar-Wai, 2000)
So gorgeously shot, you can feel the romantic longing in every frame.
5. Jules and Jim (Jules et Jim, Francois Truffaut, 1962)
The epitome of the French New Wave, every second positively pulses with life.
6. M. Hulot’s Holiday (Les vacances de M. Hulot, Jacques Tati, 1953)
The most charming, and shrewdly observed, of Tati’s Hulot films. The littlest things always make for the biggest laughs.
7. The Lord of the Rings: The Fellowship of the Ring (Peter Jackson, 2001)
I never tire of this movie. The ultimate fantasy epic, and the only film I’ve seen more than once on the big screen.
8. Amelie (Le Fabuleux destin d’Amelie Poulain, Jean-Pierre Jeunet, 2001)
This film has such a great sense of playfulness and fun that I cannot help but fall in love with it.
9. Vertigo (Alfred Hitchcock, 1958)
Utterly hypnotic. No matter how many times I’ve seen it, the mystery always pulls me in and feels new and fresh.
10. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)
Mark my words: Time will show this to be the greatest cinematic achievement of the early 2000s.
filmflam
1. Elevator to the Gallows (1958, Louis Malle, France) 2. Once Upon A Time In The West ( 1968, Sergio Leone, Italy, USA) 3. Taxi Driver (1976, Martin Scorsese, USA) 4. The Killing of a Chinese Bookie (1976, John Cassavetes, USA) 5. The Thin Red Line (1998, Terrence Malick, USA) 6. Manhunter (1986, Michael Mann, USA) 7. The French Connection (1971, William Friedkin, USA) 8. Blue Velvet (1986, David Lynch, USA) 9. No Country For Old Men (2007, Joel and Ethan Coen, USA)
10. Shock Corridor (1963, Samuel Fuller, USA)

ys
1) A Brighter Summer Day (Edward Yang 1991 Taiwan)
2) A City of Sadness (Hou Hsiao-Hsien 1989 Taiwan)
3) The Red Shoes (Michael Powell, Emeric Pressburger 1948 UK)
4) In the Mood for Love ( Wong Kar-wai 2000 Hong Kong)
5) Sansho the Bailiff (Kenji Mizoguchi 1954 Japan)
6) This Life of Mine (Shi Hui 1950 China)
7) The Spirit of Beehive ( Victor Erice 1973 Spain)
8) Harakiri (Masaki Kobayashi 1962 Japan)
9) Scenes from a Marriage (Ingmar Bergman 1974 Sweden)
10) The Aimless Bullet (Hyun Mok Yoo 1961 South Korea)
Umberto L.
1. “The Sweet Life” (= “La Dolce Vita”) (1960), Dir. Federico Fellini
2. “8½” (1963), Dir. Federico Fellini
3. “Citizen Kane” (1941), Dir. Orson Welles
4. “Sunrise: A Song of Two Humans” (1927), Dir. Friedrich Wilhelm Murnau
5. “Barry Lyndon” (1975), Dir. Stanley Kubrick
6. “Bicycle Thieves” (= “Ladri di Biciclette”) (1948), Dir. Vittorio De Sica
7. “A Day in the Country” (= “Partie de Campagne”) (1936), Dir. Jean Renoir
8. “Apocalypse Now Redux” (1979-2001), Dir. Francis Ford Coppola
9. “Once Upon a Time in America” (1984), Dir. Sergio Leone
10. “Vertigo” (1958), Dir. Alfred Hitchcock
ferdinando cristiano
1) 2001:A Space Odissey (1968-Stanley Kubrick);
2) Seven Samurai (Shichinin no samurai-1954-Kurosawa);
3) Citizen Kane (1941-Orson Welles);
4) Vertigo (1958- A. Hitchcock);
5) Goodfellas (1990- M.Scorsese);
6) Nosferatu (NOSFERATU, EINE SYMPHONIE DES GRAUENS, 1922-Murnau);
7) Wild Strawberries (Smultronstället,1957-Bergman);
8) 8 1/2 (1963-F. Fellini);
9) Rules Of Game (La règle du jeu,1939-Renoir);
10) Apocalypse Now Redux (1979- F.F. Coppola).
Jason Trochesset
Ran 1985 Kurosawa
Sansho the Bailiff 1954 Mizoguchi
La Dolce Vita 1959 Fellini
Red Beard 1965 Kurosawa
Citizen Kane 1942 Welles
Children of Paradise 1945 Carne
Passion of Joan of Arc 1927 Dreyer
La Roue 1923 Gance
Andre Rublev 1966 Tarkovsky
The Searchers 1955 Ford
T.J. Royal
Adaptation. (US, 2002) Directed by Spike Jonze
Citizen Kane (US, 1941) Directed by Orson Welles
A Clockwork Orange (UK, 1971) Directed by Stanley Kubrick
M (Germany, 1931) Directed by Fritz Lang
Once Upon A Time In The West “C’era una volta il West” (US, 1968) Directed by Sergio Leone
The Rules of the Game “La Regle de Jeu” (France, 1939) Directed by Jean Renoir
Sansho The Bailiff “Sansho Dayu” (Japan, 1954) Directed by Kenji Mizoguchi
Snow White and the Seven Dwarfs (US, 1937) Directed by William Cottrell, David Hand, et al.
The Texas Chain Saw Massacre (US, 1974) Directed by Tobe Hooper
The Wizard of Oz (US, 1939) Directed by Victor Fleming
Joe (Joe and Karen)
1. The Word – Carl Th. Dreyer – 1955 – Ordet
2. A Woman Under the Influence- John Cassavetes – 1974
3. Sansho the Baliff – Kenji Mizoguchi – 1954S – Sanshô dayû -
4. The Big City – Satyajit Ray – 1964 – Mahanagarw
5. The Gospel According to St. Matthew – Pier Paolo Pasolini – 1964 – Il vangelo secondo Matteo
6. The Man Who Shot Liberty Valance – John Ford – 1962
7. Nuts in May – Mike Leigh – 1976
8. Diary of a Country Priest – Robert Bresson – 1951 – Journal d’un curé de campagne
9. Ran – Akira Kurosawa – 1985
10. The Whole Shootin’ Match – Eagle Pennell – 1978
Karen (Joe and Karen)
1. Solaris – Andrey Tarkovskiy – 1972 – Solyaris
2. Freaks – Tod Browning – 1932
3. Magnificent Ambersons – Orson Welles – 1942
4. The Road – Federico Fellini – 1954 – La Strada
5. Vertigo – Alfred Hitchcock – 1958
6. Sullivan’s Travels – Preston Sturges -1941
7. The Man Who Shot Liberty Valance – John Ford – 1962
8. Gosford Park – Robert Altman – 2001
9. Seven Samurai – Akira Kurosawa – 1954 – Shichinin No Samurai
10. The Departed – Martin Scorsese – 2006
ExperimentoFilm
1 A Matter of Life and Death (Michael Powell & Emeric Pressburger, 1946, UK)
2 Solaris (Solyaris, Andrei Tarkovsky, 1972, USSR)
3 City of Pirates (La ville des pirates, Raúl Ruiz, 1983, France-Portugal)
4 Three Crowns of the Sailor (Les trois couronnes du matelot, Raúl Ruiz, 1982, France-Portugal)
5 Dr Mabuse: the Gambler (Mr Mabuse: der Spieler, Fritz Lang, 1922, Germany)
6 Providence (Alain Resnais, 1977, France-Switzerland)
7 Cofralandes: Chilean Rhapsody (Cofralandes: rapsodia chilena, Raúl Ruiz, 2002, Chile-France)
8 L’important c’est d’aimer (Andrzej Zulawski, 1975, France-Italy-West Germany)
9 Mammame (Raúl Ruiz, 1986, France)
10 La terra trema: Episodio del mare (Luchino Visconti, 1948, Italy)
paul anderson
The Big Sleep (1946) – John Huston
Bring Me The Head Of Alfredo Garcia (1974) – Sam Peckinpah
The 400 Blows (Les Quatres Cents Coups) – (1959) – Francois Truffaut
Goodfellas (1990) – Martin Scorsese
Tokyo Story (Tokyo Monogatari) (1953) – Yasujiro Ozu
The Cameraman (1928) – Buster Keaton/Edward Sedgwick
Grand Illusion (La Grande Illusion) (1937) – Jean Renoir
The Red Shoes (1948) – Michael Powell/Emeric Pressburger
The Harder They Come (1973) – Perry Henzell
Three Colors:Blue (1993) – Krzysztof Kieslowski
desnoes
1. Sunrise F.W. Murnau 1927
2. Strangers On A Train Alfred Hitchcock 1951
3. Punch-Drunk Love Paul Thomas Anderson 2002
4. Rushmore Wes Anderson 1998
5. Treasure Of The Sierra Madre John Huston 1948
6. The Shining Stanley Kubrick 1980
7. Once Upon A Time In The West Sergio Leone 1968
8. Young Frankenstein Mel Brooks 1974
9. Paris Texas Wim Wenders 1984
10. The Night Of The Hunter Charles Laughton 1955
Rick Sala
L’AVVENTURA (Michelangelo Antonioni, 1960)
NAKED LUNCH (David Cronenberg, 1991)
FUCKING AMAL (Lukas Moodysson, 1998)
LE SOUFFLE AU COEUR (Louis Malle, 1971)
SINGIN’ IN THE RAIN (Stanley Donen/Gene Kelly, 1952)
A CHRISTMAS STORY (Bob Clark, 1983)
KILLER OF SHEEP (Charles Burnett, 1981)
SHORT CUTS (Robert Altman, 1993)
SANSHO DAYU (Kenji Mizoguchi, 1954)
8 1/2 (Federico Fellini, 1963)
Jazzaloha
1. It’s a Wonderful Life (1946, Dir. Frank Capra)
2. Seven Samurai (Shichinin no Samurai, 1954, Dir. Akira Kurosawa)
3. Casablanca (1942, Dir. Michael Curtiz)
4. Rocky (1976, Dir. John Avildsen)
5. Breaking the Waves (1996, Dir. Lars von Trier)
6. The Word (Ordet, 1955, Dir. Carl Dreyer)
7. Tender Mercies (1981, Dir. Bruce Beresford)
8. Mr. Smith Goes to Washington (1939, Dir. Frank Capra)
9. Raiders of the Lost Ark (1981, Dir. Steven Spielberg)
10. Shane (1953, Dir. George Stevens)
Chris Knudsen
1. Down by Law (1986) dir. Jim Jarmusch
2. Crimes and Misdemeanors (1989) dir. Woody Allen
3. Branded to Kill (1967) dir. Seijun Suzuki
4. Chungking Express (1994) dir. Wong Kar Wai
5. Sweet Movie (1974) dir. Dusan Makavejev
6. Babe (1995) dir. Chris Noonan
7. Yi Yi (2000) dir. Edward Yang
8. My Night at Maude’s (1969) dir. Eric Rohmer
9. The Man Who Fell to Earth (1976) dir. Nicolas Roeg
10. Gummo (1997) dir. Harmony Korine
Sean Keeley
1. 8 1/2 / Otto e mezzo (1963) Dir: Federico Fellini
2. Shoot the Piano Player / Tirez sur le pianiste (1960) Dir: François Truffaut
3. The Man Who Shot Liberty Valance (1962) Dir: John Ford
4. Sansho the Bailiff / Sansho dayu (1954) Dir: Kenji Mizoguchi
5. Persona (1966) Dir: Ingmar Bergman
6. To Live / Ikiru (1952) Dir: Akira Kurosawa
7. Sunrise: A Song of Two Humans (1927) Dir: F.W. Murnau
8. The Passion of Joan of Arc / La Passion de Jeanne d’Arc (1928) Dir: Carl Theodor Dreyer
9. Nashville (1975) Dir: Robert Altman
10. Rio Bravo (1959) Dir: Howard Hawks
Edna Sweetlove
1. Les Enfants du Paradis/Children of the Gods (Marcel Carné, 1945, France)
2. The Third Man (Carol Reed, 1949, UK)
3. Triumph des Willens/Triumph of the Will (Leni Riefenstahl, 1935, Germany)
4. Kind Hearts and Coronets (Robert Hamer, 1949, UK)
5. La Ronde (Max Ophüls, 1950, France)
6. The Ladykillers (Alexander Mackendrick, 1955, UK)
7. Casablanca (Michael Curtiz, 1942, USA)
8. Der Blaue Engel/The Blue Angel (Josef von Sternberg, 1930, Germany)
9. The Maltese Falcon (John Huston, 1941, USA)
10. Alexis Zorbas/Zorba the Greek (Mihalis Kakogiannis, 1964, USA-Greece-UK)
ororama
It’s a Wonderful Life (Frank Capra 1946 US)
The Maltese Falcon (John Huston 1941 US)
The Rules of the Game (La Regle du Jeu) (Jean Renoir 1939 France)
Sunrise (F.W. Murnau 1927 US)
The Public Enemy (William A. Wellman 1931 US)
The Flowers of St. Francis (Francesco, Giullare di Dio) (Roberto Rossellini 1950 Italy)
Closely Watched Trains (Ostre Sledovane Vlaky) (Jiri Menzel 1966 Czechoslovakia)
Love In a Fallen City (Qing Cheng Zhi Lian) (Ann Hui 1984 Hong Kong)
My Sassy Girl (Yeopgijeogin Geunyeo) (Kwak Jae-Young 2001 South Korea)
Eastern Promises (David Cronenberg 2007 UK)
It’s a Wonderful Life A man never does the great things that he dreamed of doing, but finds that the small things that he did have made all the difference.
The Maltese Falcon A classic of old Hollywood-the stuff that dreams are made of.
The Rules of the Game Renoir paints a sympathetic portrait of frivolous people, almost obscuring the satire underneath.
Sunrise A story of a fall and redemption. Simply beautiful.
The Public Enemy Brutal gangster movie that made James Cagney a star.
The Flowers of St. Francis An argument for simplicity, and a call for spirituality to replace materialism.
Closely Watched Trains A comedy about sex that turns out to be about freedom, but doesn’t slight the importance of sex.
Love In a Fallen City A divorcee seeking stability falls in love with a playboy businessman seeking an ideal of unconditional love and they spar over their positions, until events force them to reassess what is essential.
My Sassy Girl An imaginative romantic comedy that proves surprisingly touching.
Eastern Promises Brutal gangster movie with an excellent performance by Viggo Mortensen.
Five old favorites, then five favorites that I first encountered in the last few years.
D
1. Twelve Monkeys [12 Monkeys] (1995) Terry Gilliam
2. Amélie [Le Fabuleux Destin d’Amélie Poulain] (2001) Jean-Pierre Jeunet
3. The Science of Sleep [La Science des Rêves] (2006) Michel Gondry
4. Whale Rider (2002) Niki Caro
5. Brazil (1985) Terry Gilliam
6. Princess Mononoke [Mononoke-Hime] (1997) Hayao Miyazaki
7. The Man Who Planted Trees [L’Homme Qui Plantait des Arbres] (1988) Frédéric Back
8. World on a Wire [Welt am Draht] (1973) Rainer Werner Fassbinder
9. Mind Game (2004) Masaaki Yuasa
10. Manufacturing Consent: Noam Chomsky and the Media (1992) Mark Achbar, Peter Wintonick
Zach Wood
1. The Wind Will Carry Us (Kiarostami)
2. Daisies (Chytilova)
3. Last Year at Marienbad (Resnais)
4. The Passion of Joan of Arc (Dreyer)
5. Jules and Jim (Truffaut)
6. 8 1/2 (Fellini)
7. The River (Tsai)
8. Sherlock, Jr. (Keaton)
9. Woman in the Dunes (Teshigahara)
10. Persona (Bergman)
zerkalo
Eternal Sunshine of the Spotless Mind (Gondry 04)
The Mirror (Tarkovsky 75)
Tokyo Story (Ozu 53)
The Empire Strikes Back (Kershner 80)
The Decalogue (Kieslowski 89)
In the Mood for Love (Kar-Wai 00)
Three Times (Hsiao-Hsien 05)
Metropolis (Lang 27)
Mulholland Drive (Lynch 01)
Bicycle Thieves (de Sica 48)
Jason Miller
1. 2001: A Space Odyssey-Kubrick (1968)
2. Persona-Bergman (1966)
3. The Mirror-Tarkovsky (1975)
4. Taxi Driver-Scorsese (1976)
5. Ran-Kurosawa (1985)
6. Rashomon-Kurosawa (1950)
7. Annie Hall-Allen (1977)
8. That Obscure Object of Desire-Buñuel (1977)
9. Monterey Pop-Pennabaker (1967)
10. Night and Fog-Renais (1955)
FA-LA-SI-DO-MI-FA-MI-DO-SI-LA
1. Pierrot le Fou – Jean-Luc Godard
2. Le Bonheur – Agnes Varda
3. 8 1/2 – Federico Fellini
4. Breathless – Jean-Luc Godard
5. Last Year at Marienbad – Alain Resnais
6. Gummo – Harmony Korine
7. Solaris – Andrei Tarkovsky
8. Mulholland Drive – David Lynch
9. The Shining – Stanley Kubrick
10. A Woman Under the Influence – John Cassavetes
javier quintero
1. Kagero-za (Seijun Suzuki)
2. Manoel on the Island of Wonders (Raúl Ruiz)
3. Opening Night (John Cassavetes)
4. Three (Aleksandr Petrovic)
5. In Vanda’s Room (Pedro Costa)
6. Tange Sazen and the Pot Worth a Million Ryo (Sadao Yamanaka)
7. Nazareno Cruz y el lobo (Leonardo Favio)
8. Passing the Meridian (José María Arzuaga)
9. Under the Quince Three Sun (“El sol del membrillo” Victor Erice)
10. Antonio Das Mortes (Glauber Rocha)